A day or two afterwards Geoffrey came to Peckham, and mounted with
Sonia to Fardetti's rooms, where the old man embraced him tenderly, and
expressed his joy in the exuberant foreign way. Geoffrey received the
welcome with an Englishman's laughing embarrassment. Perhaps the only
fault that Angelo Fardetti could find in the beloved pupil was his
uncompromising English manner and appearance. His well-set figure and
crisp, short fair hair and fair moustache did not sufficiently express
him as a great musician. Angelo had to content himself with the lad's
eyes--musician's eyes, as he said, very bright, arresting, dark blue,
with depths like sapphires, in which lay strange thoughts and human
laughter.
"I've only run in, dear old _maestro_, to pass the time of day with
you, and to give you a ticket for my Queen's Hall show. You'll come,
won't you?"
"He asks if I will come! I would get out of my coffin and walk through
the streets!"
"I think you'll be pleased," said Geoffrey. "I've been goodness knows
how long over it, and I've put into it all I know. If it doesn't come
off, I'll----"
He paused.
"You will commit no rashness," cried the old man in alarm.
"I will. I'll marry Sonia the very next day!"
There was laughing talk, and the three spent a happy little quarter of
an hour. But Geoffrey went away without giving either of the others an
inkling of the nature of his famous symphony. It was Geoffrey's way.
The fateful afternoon arrived. Angelo Fardetti, sitting in the stalls
of the Queen's Hall with Sonia and her parents, looked round the great
auditorium, and thrilled with pleasure at seeing it full. London had
thronged to hear the first performance of his beloved's symphony. As a
matter of fact, London had also come to hear the wonderful orchestra
give Tchaikowsky's Fourth Symphony, and to hear Lembrich play the
violin and Carli sing, which they did once in a blue moon at a symphony
concert. But in the old man's eyes these ineffectual fires paled
before Geoffrey's genius. So great was his suspense and agitation that
he could pay but scant attention to the first two items on the
programme. It seemed almost like unmeaning music, far away.
Public-domain text, read in full here on John Shaqi.
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