Fashionable Philosophy, and Other SketchesOliphant, Laurence
Philosophy
Fashionable Philosophy, and Other Sketches
Oliphant, Laurence
English literature -- 19th century
"You're a brave one," she said, with a little laugh; "there is not
another man in all Ascoli who would dare to pay me a visit without an
escort of twenty soldiers. But I am too grateful for your amiability to
let you run such a risk. _Addio_, Signer Inglese. There are many
reasons why I can't let you draw my picture, but I am not ungrateful,
see!"--and she offered me her cheek, on which I instantly imprinted a
chaste and fraternal salute.
"Don't think that you've seen the last of me, _carissima_," I called out,
as she turned away. "I shall live on the memory of that kiss till I have
an opportunity of repeating it."
And as I watched her retreating figure with an artist's eye, I was struck
with its grace and suppleness, combined, as I had observed while she was
helping me to load the donkey, with an unusual degree of muscular
strength for a woman.
The spot at which this episode had taken place was so romantic, that I
determined to make a sketch of it, and the shades of evening were closing
in so fast that they warned me to hurry if I would reach the town before
dark. I had just finished it, and was stooping to pick up my air-gun,
when I heard a sudden rush, and before I had time to look up, I was
thrown violently forward on my face, and found myself struggling in the
embrace of a powerful grasp, from which I had nearly succeeded in freeing
myself, when the arms which were clasping me were reinforced by several
more pair, and I felt a rope being passed round my body.
"All right, signors!" I exclaimed; "I yield to superior numbers. You
need not pull so hard; let me get up, and I promise to go with you
quietly." And by this time I had turned sufficiently on my back to see
that four men were engaged in tying me up.
"Tie his elbows together, and let him get up," said one; "he is not
armed. Here, Giuseppe, carry his stick and paint-box, while I feel his
pockets. _Corpo di Baccho_! twelve _bajocchi_," he exclaimed, producing
those copper coins with an air of profound disgust. "It is to be hoped
he is worth more to his friends. Now, young man, trudge, and remember
that the first sign you make of attempting to run away, means four
bullets through you."
As I did not anticipate any real danger, and as a prolonged detention was
a matter of no consequence to a man without an occupation, I stepped
forward with a light heart, rather pleased than otherwise with
anticipations of the brigand's cave, and turning over in my mind whether
or not I should propose to join the band.
We had walked an hour, and it had become dark, when we turned off the
road, up a narrow path that led between rocky sides to a glade, at the
extremity of which, under an overhanging ledge, was a small cottage, with
what seemed to be a patch of garden in front.
"Ho! Anita!" called out the man who appeared to be the leader of the
band; "open! We have brought a friend to supper, who will require a
night's lodgings."
Public-domain text, read in full here on John Shaqi.
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