Father Duffy's story : $b a tale of humor and heroism, of life and death with the Fighting Sixty-ninth — John Shaqi
Father Duffy's story : $b a tale of humor and heroism, of life and death with the Fighting Sixty-ninthDuffy, Francis Patrick
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Father Duffy's story : $b a tale of humor and heroism, of life and death with the Fighting Sixty-ninth
Duffy, Francis Patrick
United States. Army. Infantry Regiment, 165th; World War, 1914-1918 -- Personal narratives, American
Later in the morning I said Mass back at Camp New York for the 2nd
Battalion in a grove of young birch trees on the hill slope, the
men being scattered singly over the slope and holding very still
when the bugler sounded the alert for an enemy aeroplane over head.
I described former St. Patrick days to them and told them they
were better here. New York would talk more of them, think more of
them than if they were back there. Every man in the town would be
saying he wished he were here and every man worth his salt would
mean it. The leading men of our country had called us to fight for
human liberty and the rights of small nations, and if we rallied to
that noble cause we would establish a claim on our own country and
on humanity in favor of the dear land from which so many of us had
sprung, and which all of us loved.
In the afternoon we had a fine concert under the trees. Sergeants
Frye and Tom Donahoe played for Tommy McCardle’s funny songs, and for
John Mullin’s serious ones. McManus and Quinn played the fife for
Irish dances, and Lieutenant Prout, by special request, recited John
Locke’s poem, “Oh Ireland, I Bid You the Top of the Morning.”
In the middle of the concert I read Joyce Kilmer’s noble poem, “Rouge
Bouquet.” The last lines of each verse are written to respond to
the notes of “Taps,” the bugle call for the end of the day which is
also blown ere the last sods are dropped on the graves of the dead.
Sergeant Patrick Stokes stood near me with his horn and blew the
tender plaintive notes before I read the words; and then from the
deep woods where Egan was stationed came a repetition of the notes
“like horns from elfland faintly blowing.” Before I had finished
tears had started in many an eye especially amongst the lads of
Company E. I had known it was going to be a sad moment for all, and
had directed the band to follow me up with a medley of rollicking
Irish airs; just as in military funerals the band leads the march to
the grave in solemn cadence and departs playing a lively tune. It is
the only spirit for warriors with battles yet to fight. We can pay
tribute to our dead but we must not lament for them overmuch.
CROIX-MARE
_March_ 18th, 1918
Public-domain text, read in full here on John Shaqi.
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