Clergy -- Fiction; England -- Social life and customs -- Fiction; Mate selection -- Fiction
"I'm going to work up and exhibit another I've done of him, not this
one; at least, I'm afraid he won't stand this one."
"Gad! Have you painted him with horns and a tail?"
Whereto Morewood answered only:
"Come and see."
As they went in, they met Eugene, hands in pockets and pipe in mouth,
looking immensely bored.
"Dr. Livingstone, I presume?" said he. "Excuse the mode of address, but
I've not seen a soul all the morning, and thought I must have dropped
down somewhere in Africa. It's monstrous! I ask about ten people to my
house, and I never have a soul to speak to!"
"Where's Miss Bernard?" asked Ayre.
"Kate is learning constitutional principles from Haddington in the
shrubbery. Lady Claudia is learning sacerdotal principles from Stafford
in the shrubbery. My mother is learning equine principles from Bob
Territon in the stables. You are learning immoral principles from
Morewood on the lawn. I don't complain, but is there anything a man can
do?"
"Yes, there's a picture to be seen--Morewood's latest."
"Good!"
"I don't know that I shall show it to Lane."
"Oh, get out!" said Eugene. "I shall summon the servants to my aid.
Who's it of?"
"Stafford," said Ayre.
"The Pope in full canonicals?"
"All right, Lane. But you're a friend of his, and you mayn't like it."
They entered the billiard-room, a long building that ran out from the
west wing of the house. In the extreme end of it Morewood had
extemporized a studio, attracted by the good light.
"Give me a good top-light," he had said, "and I wouldn't change places
with an arch-angel!"
"Your lights, top or otherwise, are not such," Eugene remarked, "as to
make it likely the berth will be offered you."
"This picture is, I understand, Eugene, a stunner. Give us chairs and
some brandy and soda and trot it out," said Ayre.
Morewood was unmoved by their frivolity. He tugged at his ragged red
beard for a moment or two while they were settling themselves.
"I'll show you this first," he said, taking up one of the canvases that
leant against the wall.
It was a beautiful sketch of a half-length figure, and represented
Stafford in the garb of a monk, gazing up with eager eyes, full of the
vision of the Eternal City beyond the skies. It was the face of a
devotee and a visionary, and yet it was full of strength and resolution;
and there was in it the look of a man who had put aside all except the
service and the contemplation of the Divine.
Ayre forgot to sneer, and Eugene murmured:
"Glorious! What a subject! And, old fellow, what an artist!"
"That is good," said Morewood quietly. "It's fine, but as a matter of
painting the other is still better. I caught him looking like that one
morning. He came out before breakfast, very early, into the garden. I
was out there, but he didn't see me, and he stood looking up like that
for ever so long, his lips just parted and his eyes straining through
the veil, as you see that. It may be all nonsense, but--fine, isn't it?"
The two men nodded.
Public-domain text, read in full here on John Shaqi.
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