American fiction -- 20th century; Detective and mystery stories; Long Island (N.Y.) -- Fiction; Murder -- Investigation -- Fiction
"The sound--no, the darkness. I don't really know. Perhaps they were
simultaneous."
"One moment; was the Billiard Room lighted?"
"Yes."
"And the door between open?"
"The sliding doors were open--the curtains pulled together."
Glancing at the heavy tapestry curtains in question, Mr. Lamson said
quickly: "If they were pulled together, and the room where you were was
light, how could you notice when this room went dark?"
Joyce looked bewildered. "I don't know," she said, blankly, "how could
I?"
The question was so naive, and the brown eyes so puzzled and troubled,
that Bobsy Roberts whistled to himself. But not for want of thought. His
thoughts flocked so fast he could scarcely marshal them into line. "Of
course," his principal thought was, "one of these women is guilty. If
the crime had been committed by a burglar they wouldn't have any of this
back and forth kiyi with their eyes. Now, the question is, _which_ one?"
Joyce and Natalie had exchanged many glances. But to a stranger they
were unreadable, and Roberts contented himself with storing them up in
his memory for future consideration. And now, as Joyce looked confused
and nonplussed, Natalie seemed a bit triumphant, but she as quickly
drooped her eyes and veiled whatever emotion they showed.
"But you are sure you did know when the studio lights went out?" pursued
Lamson.
"Why, yes--I think so. You see--it was all so confused----"
"What was?"
"Why,--the lights,--and that queer sound--and----"
"Go on, Mrs. Stannard. Never mind the lights and the sound. You entered
the studio from the Billiard Room, and saw----?"
"I didn't see anything!" declared Joyce, with a sudden toss of her head.
"I c-couldn't. It was dark, you know. Then somebody, Blake, you know,
turned the switch, and I saw Miss Vernon standing by my dying
husband's----"
"How did you know he was dying? Did you see Miss Vernon strike the
blow?"
"No. But she was in the room when I entered--and, too, Eric said it was
Natalie and not--me."
"You are prepared to swear that Miss Vernon was in the room before you
were?"
"She was there when I went in."
"But it was dark, how could you see her?"
"I didn't. I heard her breathing in a quick, frightened way."
"And when you first saw her?"
"She was cowering back against the little paint stand."
"Looking terrified?"
"Yes, and----"
"And what?"
"And guilty." Joyce said the words solemnly, as one unwillingly
pronouncing a doom.
"Mrs. Stannard, I must be unpleasantly personal. Can you think of any
reason why Miss Vernon would desire your husband's death?"
Joyce trembled visibly. "I cannot answer a question like that," she
said, in a low tone.
"I'm sorry,--but you must."
"No, then," and Joyce looked squarely at Natalie. "I cannot imagine why
she should desire his death. I certainly cannot."
"But any reason why she should dislike him, or wish him ill?"
"N-no."
"Think again."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account