American fiction -- 20th century; Detective and mystery stories; Long Island (N.Y.) -- Fiction; Murder -- Investigation -- Fiction
"Well, Mr. Stannard had told me several times of his affection for me
and had told me he would remember me in his will, and, not more than a
week ago, he told me of Joyce's caring for Mr. Courtenay, though how he
discovered that, I don't know, for Joyce never showed it. She was good
as gold. Well, Mr. Stannard didn't say so in so many words, but he
implied that if he and Joyce--separated--and it could be arranged,--and
she--you know,--married Mr. Courtenay,--would I marry him. And I was so
mad, I flew into a rage, and----"
"And scratched up your picture?"
"No, that wax plate hadn't been drawn then. It was afterward that he
drew that, and then I was madder than ever."
"And in the heat of your passionate rage, you----"
"No, I didn't! I tell you, whoever killed Eric Stannard, I didn't!"
"Then what did he mean, when, in his dying moment, he said, 'Natalie,
not Joyce!' Tell me that!"
"I will tell you," and the girl lowered her voice and looked very
serious. "I know exactly what he meant, and Joyce Stannard knows too. He
meant,--you'll think I imagine this, but it's true; he meant that it was
Natalie and not Joyce, whom he loved, and whom he was trying to beckon
to at that moment."
It was impossible to doubt the honesty of the speaker. The great earnest
eyes were filled with mingled pain and shame, but the girl meant what
she said.
"I know it," she went on. "You see, he had said to me, several times,
'Natalie, not Joyce,' by way of a teasing bit of love-making. Eric was
not a bad man, it was only that he could not keep from making love to
any woman he might chance to be with. And when I would reprimand him and
bid him go to his wife, he would laugh and say 'Natalie, not Joyce,'
till it became a sort of by-word with him. And I know that's what he
meant that night, when he was hurt,--he didn't know he was dying,--and he
called to me in a half-conscious plea to come to his assistance. Also,
he could see me more plainly. Joyce was rather behind him, and his
clouding brain spoke out as he saw me, and called for me. As a matter of
fact, that speech, though made so much of, means nothing at all. He
wasn't entirely conscious and he spoke as one in a dream. But he did not
mean that I had stabbed him."
"Did he know who stabbed him?"
"How can I tell that? But if he had known that I did it, or had thought
that I did it, he would never have said so, had he been aware of what he
was saying."
"You mean, if you had been guilty, he would have shielded you, rather
than accused you with his last breath?"
"Yes, or Joyce either. Or any woman. Eric Stannard would never accuse a
woman of wrongdoing. His speech meant anything rather than that."
"Miss Vernon, this puts a very different light on your connection with
the affair. Why didn't you tell this before?"
Public-domain text, read in full here on John Shaqi.
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