American fiction -- 20th century; Detective and mystery stories; Long Island (N.Y.) -- Fiction; Murder -- Investigation -- Fiction
"I won't subscribe entirely to that, Mr. Stannard. Miss Vernon inherits
a goodly sum, and too, she may have been incensed at the manner of the
artist toward her----"
"No, I wasn't," said Natalie herself, suddenly reappearing. "On the
contrary, I had persuaded Mr. Stannard, that very day, not to ask me to
pose for him, except as a fully draped model. He had apologised for his
previous insistence, and I looked for no more trouble on that score. I
was trying to get up courage to ask him to let Barry be engaged to me,
but I hadn't accomplished that."
"If Mrs. Stannard had had any angry words with her husband just before
he was attacked, could you have overheard them?" asked Roberts.
"I don't think so. Not unless they had spoken very loudly. The door to
the Terrace was closed, or almost closed. And I was not thinking about
what might be going on in the house. Unless there had been an especial
disturbance, I should not have noticed it."
"Yet you heard that gasping cry for help through the closed door."
"Yes. But that was not a faint gasp, it was a penetrating sort of a cry.
An attempted scream, I should describe it."
Roberts looked at her closely. Was she innocent or was she an infant
Machiavelli?
"It is a difficult situation," he said, with a sigh. "We have but two
eye-witnesses. Each naturally accuses the other and denies her own
guilt. One speaks truth and one falsehood. How can we distinguish which
one tells the truth?"
"Don't say eye-witnesses," objected Natalie. "I didn't see the crime
committed. If I think Joyce did it, it's only because I went in and
found her there and nobody else about."
"Suppose," and Bobsy Roberts looked her straight in the face, "suppose
Eric Stannard held in his hand your picture,--that etching, you know, and
suppose he was, in a way, talking to it. Or, say, he wasn't talking to
it, but what he did say, and what his wife overheard, was said while he
held your picture, and she thought he referred to you. Then she, in a
jealous fury, resented the idea of his giving you the emeralds, and----"
"I didn't want the emeralds," said Natalie, coldly, "and I certainly
didn't want Eric to marry me, but even granting your premises right, it
takes suspicion of the murder from me, and places it on Joyce."
"It does," agreed Barry, "and that's where it belongs, if on either of
you two."
"It must be so," said Beatrice Faulkner, "for if Natalie had known where
the emeralds were, and if that letter was written to her, and gave her
the gems,--for it really did give them to the one it was written to,--then
she would have kept them and not have given them back to Joyce."
"By Jove, that's so!" exclaimed Roberts. "Whatever woman that letter was
meant for, is the real owner of the jewels this minute, according to
Eric Stannard's wish, and if she had them she would be extremely
unlikely to give them up unnecessarily. But how, then, explain their
return?"
"It wasn't a return," said Beatrice. "Joyce had them herself all the
time."
Public-domain text, read in full here on John Shaqi.
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