The greatest and most representative expression of Goethe's powers is without doubt to be found in his drama of "Faust"; but before dealing with Goethe's masterpiece, it is worth while to say something of the history of the story on which it is founded--the most famous instance of the old and widespread legend of the man who sold his soul to the devil. The historical Dr. Faust seems to have been a self-called philosopher who traveled about Germany in the first half of the sixteenth century, making money by the practise of magic, fortune-telling, and pretended cures. He died mysteriously about 1540, and a legend soon sprang up that the devil, by whose aid he wrought his wonders, had finally carried him off. In 1587 a life of him appeared, in which are attributed to him many marvelous exploits and in which he is held up as an awful warning against the excessive desire for secular learning and admiration for antique beauty which characterized the humanist movement of the time. In this aspect the Faust legend is an expression of early popular Protestantism, and of its antagonism to the scientific and classical tendencies of the Renaissance. While a succession of Faust books were appearing in Germany, the original life was translated into English and dramatized by Marlowe. English players brought Marlowe's work back to Germany, where it was copied by German actors, degenerated into spectacular farce, and finally into a puppet show. Through this puppet show Goethe made acquaintance with the legend. By the time that Goethe was twenty, the Faust legend had fascinated his imagination; for three years before he went to Weimar he had been working on scattered scenes and bits of dialogue; and though he suspended actual composition on it during three distinct periods, it was always to resume, and he closed his labors upon it only with his life. Thus the period of time between his first experiments and the final touches is more than sixty years. During this period the plans for the structure and the signification of the work inevitably underwent profound modifications, and these have naturally affected the unity of the result; but, on the other hand, this long companionship and persistent recurrence to the task from youth to old age have made it in a unique way the record of Goethe's personality in all its richness and diversity.