Female Warriors, Vol. 2 (of 2): Memorials of Female Valour and Heroism, from the Mythological Ages to the Present Era.Clayton, Ellen C. (Ellen Creathorne)
History
Female Warriors, Vol. 2 (of 2): Memorials of Female Valour and Heroism, from the Mythological Ages to the Present Era.
Clayton, Ellen C. (Ellen Creathorne)
Amazons; Women -- Biography; Women soldiers
During the Chevalier's residence in London, suspicions arose in the
minds of several persons that D'Eon was a disguised woman. The notion
soon reached the Continent; and both in England and abroad, some very
extraordinary wagers were made on the subject. In July, 1777, a trial
took place before Lord Chief Justice Mansfield on an action brought
by a Mr. Hayes against a Mr. Jacques, the latter of whom had received
several premiums of fifteen guineas, to return one hundred whenever it
should be proved, beyond a doubt, that the Chevalier D'Eon was a woman.
MM. Louis Legoux and de Morande deposed to this as a fact so thoroughly
established, that the defendant's counsel actually pleaded that the
wager was unfair, because the plaintiff knew, before it was laid, that
the Court of France had treated with the Chevalier as a woman. The
plaintiff, however, obtained a verdict, which was afterwards set aside
on the ground of the bet being illegal.
Shortly after the conclusion of the trial, the Chevalier d'Eon, for
some unaccountable reason, put on female attire, which he contrived to
wear until his death.
Everybody now believed that D'Eon was a woman. Several portraits were
published representing him in various characters--as an officer of
dragoons, as a French minister, as a fashionable lady, etc. Mr. Hooper,
of Ludgate-hill, published a mezzotinto engraving of the Chevalier
as Pallas, a casque on her head, a lance in her right hand, and the
ægis on her left arm. Round the edge of the shield were the words _At
nunc dura dedit vobis discrimina Pallas_. On each side were drums,
muskets, pyramids of cannon-balls, heavy pieces of ordnance, and a
pair of colours on which were written, _Impavidam serient ruinæ_. In
the middle distance might be seen a citadel and a camp. The lower part
of the engraving contained representations of the principal events
of the Chevalier's life, with a eulogy, in English, on his talents
and virtues. After rapturously praising the genius, the courage, the
personal beauty of D'Eon, this eulogy concludes by saying that "her
military comrades offer this homage as an eternal monument of their
affection."
The breaking out of the French Revolution deprived D'Eon of his
pension. He returned to France in 1792 and offered his services to the
National Assembly. But they were declined; and on his return to England
his name was placed on the list of Emigrants. He was now plunged into
the depths of poverty, and supported himself as best he could by giving
lessons in fencing. But he depended chiefly on the kindness of Elisée,
first surgeon to Louis XVIII., and other friends. He died May the 21st,
1810, when Elisée assisted in the dissection of his body; and declared
that the Chevalier belonged to the male sex.
* * * * *
Public-domain text, read in full here on John Shaqi.
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