Fern Leaves from Fanny's Port-folio. Second SeriesFern, Fanny
General
Fern Leaves from Fanny's Port-folio. Second Series
Fern, Fanny
American essays -- 19th century; Short stories, American
Well; I’ve seen the “Sea-Dog,” and Thackeray; and Tom Thumb and
Kossuth; the “Bearded Lady” and Father Matthew; the whistling Canary,
and Camille Urso; the “white negro,” and Mrs. Stowe; “Chang and Eng,”
and Jenny Lind; and Miss Bremer, and Madame Sontag. I have been to
the top of the State House, made the tour of the “Public Garden,” and
crossed the “Frog Pond.” I’ve seen Theodore Parker, and a locomotive.
I’ve ridden in an omnibus, heard a Fourth-of-July oration, and I once
saw the sun rise; but I never, _never_ never saw “a conscientious young
man.”
If there is such an “organization” on the periphery of this globe, I
should like to see him. If he _is_, _where is_ he? Who owns him? Where
did they raise him? What does he feed on? For whom does he vote? On
what political platform do his conscientious toes rest? Does he know
the difference between a Whig and a Democrat? between a “Hunker” and
a “Barnburner?” between a “hard-shell” and a “soft-shell?” between a
“uniform national currency” and a “sound constitutional currency?”
Does he have chills, or a fever, when he sees a bonnet! Does he look
at it out of the sides of his eyes, like a bashful, barn-yard bantam,
or dare he not look at all? Does he show the “white feather,” or crow
defiance? Does he “go to roost” at sun-down? and does he rest on an
aristocratic perch? I’m all alive to see the specimen. My opera-glass
is poised. Will he be at the World’s Fair? Might I be permitted to
shake hands with, and congratulate him! I pause for a reply.
CITY SCENES AND CITY LIFE
NUMBER ONE.
“Each to his taste,” somebody says: so say I: so says Gotham. Look at
that splendid house, with its massive door-way, its mammoth plate-glass
windows, its tasteful conservatory, where the snowy Orange blossom,
and clustering Rose, and crimson Cactus, and regal Passion-flower,
and fragrant Heliotrope breath out their little day of sweetness. See
that Gothic stable, with its faultless span of horses, and liveried
coachman, and anti-republican carriage, whose coat of arms makes our
National Eagle droop his fearless pinions. Then cast your eye on that
tumble-down, wooden grocery adjoining, sending up its reeking fumes
of rum, onions, and salt fish, into patrician nostrils! Go where you
will in New York, you see the same strong contrasts. Feast your eyes on
beauty, and a skeleton startles you at its side. Lazarus sitteth ever
at the Gate of Dives.
Public-domain text, read in full here on John Shaqi.
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