Fern Leaves from Fanny's Port-folio. Second SeriesFern, Fanny
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Fern Leaves from Fanny's Port-folio. Second Series
Fern, Fanny
American essays -- 19th century; Short stories, American
Here is a primary school: what a host of little ragged urchins are
crowding in! Suppose I step in quietly among them. Now, they take their
places in seats terraced off one above another, so that each little
face is distinctly visible. What a pretty sight! and how Nature loves
to compensate! sending beauty to the hovel, deformity to the hall.
There’s a boy, now, in that ragged jacket, who is a study for an
artist. See his broad, ample forehead; mark how his dark eyes glow: and
that little girl at his side, whose chestnut curls droop so gracefully
over her soft-fringed eyes and dimpled shoulders. And that dream-child
in yonder corner, with blue-veined, transparent temples, whose
spiritual eyes even now can see that fadeless shore to which bright
angels beckon him. Deal gently with him--he is passing away!
Here comes the teacher, brisk, angular, and sharp-voiced. Heaven
pity the children! She’s a human icicle--pastboard-y and proper!
I already experience a mental shiver. Now she comes up and says,
(apologetically to my new satin cloak,) “You see, madam, these are
_only_ poor children.” The toadying creature! Lucky for her that
I’m not “a committee.” Can’t her dull eyes recognize God’s image in
linsey-woolsey? Can she see no genius written on yonder broad forehead?
No poetry slumbering in yonder sweet eyes? Did Franklin, Clay, and
Webster study _their_ alphabet in silk and velvet? She ought to be
promoted to the dignity of toe-nail polisher to Queen Victoria. Now she
hands me a book, in which visitors’ names are inscribed, and requests
me to write mine. Certainly. “Mrs. John Smith:” there it is. Hope she
likes it as well as I do.
--Speaking of names, I read on a sign yesterday, that “Richard Haas:”
to-day I saw, down street, that “John Haas.” I’m sure I’m glad of it.
I congratulate both those enterprising gentlemen. There goes a baker’s
cart, with “Ernest Flog-er” painted on the side. It is my impression
that if you do it, Ernest, “_your_ cake will be dough;” 1853 being
considered the millenium of “strong-minded women.” Here we are, most
to the Battery. “_Fanfernot_ & Dulac:” that must be a chain-lightning
firm. Wonder if “Fanfernot” is the _silent_ partner?
Here’s a man distributing tracts. Now, if he hands me one, I’ll throw
it down. See how meekly he picks it up, and hands me another. “That’s
right, friend Colporteur, I only wanted to see if you were in earnest:
glad to see you so well employed.”
“Yes, Ma’am,” he says, much relieved, “sinners here in New York need
waking up”--which sentiment I endorse, and advise him to call at the
_N. Y. Tribune_ office.
Public-domain text, read in full here on John Shaqi.
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