Fern Leaves from Fanny's Port-folio. Second SeriesFern, Fanny
General
Fern Leaves from Fanny's Port-folio. Second Series
Fern, Fanny
American essays -- 19th century; Short stories, American
As to her “cleaning days,” I never had courage to witness one. I used
to lie under an apple tree in the orchard, till she was through. A
whole platoon of soldiers wouldn’t have frightened me so much as that
virago and her mop.
You should have seen her in her glory on “baking days;” her sleeves
rolled up to her arm-pits, and a long, check apron swathed around her
bolster-like figure. The great oven glowing, blazing, and sparkling,
in a manner very suggestive, to a lazy sinner, like myself. The
interminable rows of greased pie-plates; the pans of rough and ready
gingerbread; the pots of pork and beans, in an edifying state of
progression; and the immense embryo loaves of brown and wheaten bread.
To my innocent inquiry, whether she thought the latter would “rise,”
she set her skinny arms akimbo, marched up within kissing distance of
my face, cocked her head on one side, and asked if I thought she looked
“like a woman to be trifled with by a loaf of bread!” The way I settled
down into my slippers, without a reply, probably convinced her that I
was no longer skeptical on that point.
Saturday evening she employed in winding up everything that was
unwound in the house--the old entry clock included. From that time till
Monday morning, she devoted to her husband and Sabbatical exercises.
All I have to say is, it is to be hoped she carried some of the fervor
of her secular employments into those halcyon hours.
BARNUM’S MUSEUM.
It is possible that every stranger may suppose, as I did, on first
approaching Barnum’s Museum, that the greater part of its curiosities
are on the outside, and have some fears that its internal will not
equal its external appearance. But, after crossing the threshold, he
will soon discover his mistake. The first idea suggested will perhaps
be that the view, from the windows, of the motley, moving throng in
Broadway--the rattling, thundering carts, carriages and omnibuses--the
confluence of the vehicular and human tides which, from so many
quarters, come pouring past the museum--is, (to adopt the language of
advertisements,) “worth double the price of admission.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account