Fern Leaves from Fanny's Port-folio. Second SeriesFern, Fanny
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Fern Leaves from Fanny's Port-folio. Second Series
Fern, Fanny
American essays -- 19th century; Short stories, American
Close the door. One would scarcely think, in this luxurious
atmosphere, that we had left mid-winter behind us. The warm air is
heavy with the odor of blossoming greenhouse plants, over whose
fragrant clusters a tiny fountain tosses its sparkling spray:
bright-winged, sweet-voiced canaries dart, like flashes of sunlight,
through the dark green foliage: beautiful are those sculptured infants,
cheek to cheek, over whose dimpled limbs the crimson drapery throws
such a rosy glow: beautiful is that shrinking Venus, with her pure,
chaste brow, and Eve-like grace: lovely those rare old pictures, to the
artistic eye: beautiful that recumbent statuette of the peerless, proud
“Pauline.”
Hush! tread softly; on yonder couch a gentleman lies sleeping. His
crimson velvet cap has fallen back from his broad white forehead; his
long curving lashes droop heavily upon his cheek, and his Grecian
profile is as faultless as a sculptor’s dream. Pity, that the stain of
sensuality should have left so legible an impress there.
A servant enters, bearing a note upon a silver tray. His master
languidly opens a pair of large dark eyes, and beckons him to approach.
As he breaks the seal, a contemptuous sneer disfigures his handsome
lip, and an angry flush mounts to his brow. Motioning the servant away,
he crushes the note between his fingers, muttering,--“No--no--as he
has made his bed, so let him lie in it.” Then walking once or twice
rapidly across the room, he takes up a small volume, and throws himself
again upon the velvet couch. He does not turn the leaves, and if you
peep over his shoulder, you will see that the book is upside down.
His thoughts are far away. He remembers a bright-eyed, open-browed,
guileless-hearted brother, whom early orphanage had thrown upon his
fraternal care; whose trusting nature he had perverted; whose listening
ear he had poisoned with specious sophistries and worldly maxims; whom
he had introduced to the wine party, where female virtue was held
in derision, and to the “green room,” where the foreign _danseuse_
understood well how to play her part; whom he had initiated into modern
follies and dissipations, and then launched upon the Charybdis of
fashionable society, without chart, or rudder, or compass, other than
his own headstrong passions and unbridled will.
Public-domain text, read in full here on John Shaqi.
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