Fern Leaves from Fanny's Port-folio. Second SeriesFern, Fanny
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Fern Leaves from Fanny's Port-folio. Second Series
Fern, Fanny
American essays -- 19th century; Short stories, American
But somehow or other Mary’s words kept ringing in John’s ears. It
was very true Katy must be married some day, and then he ran over the
circle of their acquaintance; the Stubbses, and the Joneses, and the
Jenkinses--good enough in their way, but (he confessed to himself) _not
just the thing for his Katy_. John was ambitious too: Mary was right;
they ought to consider that Katy would soon be a woman.
It is not to be supposed because John Smith never sported white kids,
save on his wedding day, that he was not a man of taste; by no means.
Not an artistic touch of Mary’s feminine fingers, from the twist of a
ringlet or ribbon to the draping of a curtain, the judicious disposal
of a fine engraving, or the harmonious blending of colors in a mantel
bouquet, escaped him. It was his joy and pride to see her glide about
his home, beautifying almost unconsciously everything she touched; and
then, he remembered when she was ill, and Bridget had the oversight of
the parlors--what a different air they had; how awkwardly the chairs
looked plastered straight against the wall--how ugly the red cloth all
awry on the centre table; what a string-y look the curtains had, after
her clumsy fingers had passed over them. Yes, Mary would grace a house
in St. John’s Square, and if it would make her any happier to go there
(and here he glanced at his ledger)--why, go she should--for she was
just the prettiest, and dearest, and most loving little Mary who ever
answered to that poetical name. What would full coffers avail him, if
Mary should die?--and she might die first. His health was good--his
business was good. Mary and Katy _should_ live in St John’s Square.
Mary and Katy _did_ live in St John’s Square. The upholsterer crammed
as many hundreds as possible into the drawing rooms, in the shape of
vis-a-vis antique chairs, velvet sofas, damask curtains, mirrors,
tapestry, carpets, and a thousand other nick-nacks, too numerous to
mention: then the blinds and curtains shut out the glad sunlight,
lest the warm beams should fade out the rich tints of the carpets and
curtains, and left it as fine and as gloomy as any other fashionable
drawing room. There was a very pretty prospect from Mary’s chamber
windows, but she never allowed herself to enjoy it, after Mrs. John
Hunter told her, that it was considered “decidedly snobbish to be seen
at the front window.” The Smiths took their meals in a gloomy basement,
where gas was indispensable at mid-day. Mary was constantly in fear
that the servants would spoil the pictures and statues in the parlor,
so she concluded to sweep and dust it herself, before there was any
probability of Mrs. John Hunter’s being awake in the morning. As this
was something of a tax, she and Mr. Smith and the children kept out of
it, except on Sundays and when company called, burrowing under ground
the residue of the time in the afore-mentioned basement.
Public-domain text, read in full here on John Shaqi.
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