Fern Leaves from Fanny's Port-folio. Second SeriesFern, Fanny
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Fern Leaves from Fanny's Port-folio. Second Series
Fern, Fanny
American essays -- 19th century; Short stories, American
And thou,
My modest Ellen! tender, thoughtful, true,
Thy soul attuned to all sweet harmonies;
My pure, proud, noble Ellen! with thy gifts
Of genius, grace and loveliness half-hidden
’Neath the soft vail of innate modesty:
How will the world’s wild discord reach thy heart,
To startle and appal! Thy generous scorn
Of all things base and mean--thy quick, keen taste,
Dainty and delicate--thy instinctive fear
Of those unworthy of a soul so pure,
Thy rare, unchildlike dignity of mien,
All--they will all bring pain to thee, my child.
And oh! if ever their grace and goodness meet
Cold looks and careless greetings, how will all
The latent evil yet undisciplined
In their young, timid souls forgiveness find?
Forgiveness and forbearance, and soft chidings,
Which I, their mother, learn’d of love, to give.
Ah! let me stay! albeit my heart is weary,
Weary and worn, _tired of its own sad beat_,
_That finds no echo in this busy world_
_Which cannot pause to answer_--tired, alike,
Of joy and sorrow--of the day and night!
Ah! _take them_ FIRST, _my Father! and then me_;
And for their sakes--for their sweet sakes, my Father!
Let me find rest beside them, at thy feet.
BEST THINGS.
I have a horror of “best” things, come they in the shape of shoes,
garments, bonnets or rooms. In such a harness my soul peers restlessly
out, asking “if I be I.” I’m puzzled to find myself. I become stiff and
formal and artificial as my surroundings.
But of all the best things, spare me the infliction of a “best room.”
Out upon a carpet too fine to tread upon, books too dainty to handle,
sofas that but mock your weary limbs, and curtains that dare not face a
ray of sunlight!
Had I a house, there should be no “best room” in it. No upholsterer
should exorcise comfort, or children, from my door-sill. The free,
fresh air should be welcome to play through it; the bright, glad
sunshine to lighten and warm it; while fresh mantel-flowers should woo
us visits from humming-bird and drowsy bee.
For pictures, I’d look from out my windows, upon a landscape painted
by the Great Master--ever fresh, ever varied, and never marred by
envious “cross lights;” now, wreathed in morning’s silvery mist; now,
basking in noon’s broad beam; now, flushed with sunset’s golden glow;
now, sleeping in dreamy moonlight.
For statuary, fill my house with children--rosy, dimpled, laughing
children; now, tossing their sunny ringlets from open brows; now,
vailing their merry eyes in slumberous dreams, ’neath snow-white lids;
now, sweetly grave, on bended knee, with clasped hands, and lisped
words of holy prayer.
Public-domain text, read in full here on John Shaqi.
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