France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
The young man crossed his arms; then, as no one beheld him, he suffered
tears of rage to flow down his cheeks unchecked. At last the sight of
the shadows moving behind the lighted windows gave him such pain that he
looked elsewhere and noticed a hackney-coach, standing against a wall
in the upper part of the rue des Vieux-Augustins, at a place where there
was neither the door of a house, nor the light of a shop-window.
Was it she? Was it not she? Life or death to a lover! This lover waited.
He stood there during a century of twenty minutes. After that the woman
came down, and he then recognized her as the one whom he secretly loved.
Nevertheless, he wanted still to doubt. She went to the hackney-coach,
and got into it.
“The house will always be there and I can search it later,” thought the
young man, following the carriage at a run, to solve his last doubts;
and soon he did so.
The carriage stopped in the rue de Richelieu before a shop for
artificial flowers, close to the rue de Menars. The lady got out,
entered the shop, sent out the money to pay the coachman, and presently
left the shop herself, on foot, after buying a bunch of marabouts.
Marabouts for her black hair! The officer beheld her, through the
window-panes, placing the feathers to her head to see the effect, and
he fancied he could hear the conversation between herself and the
shop-woman.
“Oh! madame, nothing is more suitable for brunettes: brunettes have
something a little too strongly marked in their lines, and marabouts
give them just that _flow_ which they lack. Madame la Duchesse de
Langeais says they give a woman something vague, Ossianic, and very
high-bred.”
“Very good; send them to me at once.”
Then the lady turned quickly toward the rue de Menars, and entered her
own house. When the door closed on her, the young lover, having lost
his hopes, and worse, far worse, his dearest beliefs, walked through the
streets like a drunken man, and presently found himself in his own room
without knowing how he came there. He flung himself into an arm-chair,
put his head in his hands and his feet on the andirons, drying his boots
until he burned them. It was an awful moment,--one of those moments in
human life when the character is moulded, and the future conduct of the
best of men depends on the good or evil fortune of his first action.
Providence or fatality?--choose which you will.
Public-domain text, read in full here on John Shaqi.
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