France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
The profound passion of this couple, which survived marriage, obtained
a great success in society, though some women were annoyed by it. The
charming household was respected; everybody feted it. Monsieur and
Madame Jules were sincerely liked, perhaps because there is nothing more
delightful to see than happy people; but they never stayed long at any
festivity. They slipped away early, as impatient to regain their nest
as wandering pigeons. This nest was a large and beautiful mansion in the
rue de Menars, where a true feeling for art tempered the luxury which
the financial world continues, traditionally, to display. Here the happy
pair received their society magnificently, although the obligations of
social life suited them but little.
Nevertheless, Jules submitted to the demands of the world, knowing
that, sooner or later, a family has need of it; but he and his wife felt
themselves, in its midst, like green-house plants in a tempest. With a
delicacy that was very natural, Jules had concealed from his wife the
calumny and the death of the calumniator. Madame Jules, herself, was
inclined, through her sensitive and artistic nature, to desire luxury.
In spite of the terrible lesson of the duel, some imprudent women
whispered to each other that Madame Jules must sometimes be pressed for
money. They often found her more elegantly dressed in her own home than
when she went into society. She loved to adorn herself to please her
husband, wishing to show him that to her he was more than any social
life. A true love, a pure love, above all, a happy love! Jules, always a
lover, and more in love as time went by, was happy in all things beside
his wife, even in her caprices; in fact, he would have been uneasy if
she had none, thinking it a symptom of some illness.
Auguste de Maulincour had the personal misfortune of running against
this passion, and falling in love with the wife beyond recovery.
Nevertheless, though he carried in his heart so intense a love, he was
not ridiculous; he complied with all the demands of society, and of
military manners and customs. And yet his face wore constantly, even
though he might be drinking a glass of champagne, that dreamy look, that
air of silently despising life, that nebulous expression which belongs,
though for other reasons, to _blases_ men,--men dissatisfied with hollow
lives. To love without hope, to be disgusted with life, constitute, in
these days, a social position. The enterprise of winning the heart of
a sovereign might give, perhaps, more hope than a love rashly conceived
for a happy woman. Therefore Maulincour had sufficient reason to be
grave and gloomy. A queen has the vanity of her power; the height of her
elevation protects her. But a pious _bourgeoise_ is like a hedgehog, or
an oyster, in its rough wrappings.
Public-domain text, read in full here on John Shaqi.
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