The entire process so beats down the will of the novices and terrorizes them, that even those who have been forced into it against their will, when they emerge at the close of the rite, most inviolably preserve its secrets, and express themselves as pleased. Just before the novices or "pupils" are to enter, they have to prepare a great deal of food,--as much as they can possibly obtain of cassava, fish, and plantains. Two days are spent, before the ceremonies begin, in cooking this food. They make big bundles of ngândâ (gourd seed) pudding, others of ground-nuts and odika (oily kernel of the wild mango), pots of odika and fish boiled, boiled hard plantains, and ripe plantains beaten into rolls called "fufu." This food is to be eaten by them and the older members of the society the first night. Those older ones, as a part of the hazing which they always practise, deceive the new ones by advising them in advance: "Eat no supper this evening. Save up your appetite. All this food you have prepared is your own, and you will be satiated at the feast to-night." This is said in order to play a hard joke on them. But sometimes a more tender-hearted relative will pity them, and will privately warn them to eat something, knowing that they will be up all night, and that the older members intend to seize and eat what these "pupils" had prepared for themselves, allowing the latter to be faint with hunger. That evening the society goes into the adjacent jungle, the spot selected including a small stream of water. There they clear a small space for their ceremonies. They dance all night, part of the time in this camp, and part of the time in the street of the town, but always going back to the camp at some early morning hour. On the second day they come to town, dance there a little while, and then go back to the forest. They beat constantly and monotonously, without time, a short straight stick on a somewhat crescent-shaped piece of board (orěga) that is slightly concave on one side. It makes a clear but not a musical note; is heard quite far, and is the distinctive sign of the Njěmbě Society. No other persons own or will strike the orěga music. In the part of the ceremonies that are public in the village street, a man is invited to assist by beating on a drum, a matter in which women here are not expert. This drum does not exclude the orěga, several of which may be beaten at the same time; at least one must be kept sounding during the whole two weeks by one or another of the candidates, or if these become exhausted, by some other member of the society.