Here I would briefly refer to certain misrepresentations. Mr Archer claimed, in his original article (_Cont. Rev._, 344) to 'mainly rely' upon Wace, on the ground that I did so myself. I was obliged to describe this statement at once as 'the exact converse of the truth'.[28] For it will be seen, I expressly excluded Wace from the authorities on whom I relied, and specially rested my case, from the first, on the evidence of the Bayeux Tapestry. It is much to be regretted that Mr Archer has deliberately repeated his statement,[29] though even his ally reluctantly admits that it was 'not very happily worded'.[30] Mr Archer might well seek to avoid the Bayeux Tapestry, for its evidence is dead against him, and he cannot explain it away. His first attempt was a brief allusion, accepting its authority without question, but suggesting that it might represent that part of the line where the barricade was absent.[31] Of this suggestion I at once disposed by showing that it is 'not only absolutely without foundation, but is directly opposed to Mr Freeman's theory, and, indeed, to his express statements'.[32] Forced to drop this explanation, my opponent, in his next article, fell back on the desperate device of repudiating the authority of the Tapestry,[33] 'the most authentic record' of the battle according to the late Professor, who was never weary of insisting on its 'paramount importance'. On my showing, beyond the possibility of question, that this amounted to rejecting everything that Mr Freeman had written on the subject,[34] Mr Archer once more shifts his tactics, and now writes thus: If any fact in Hastings is more certain than another, it is that at the beginning of the battle the main body of the English was posted _on a hill_. Now 'the priceless record'--the Bayeux Tapestry--represents them _on a plain_. If the Tapestry could leave out this central feature--the hill of Senlac--from its picture of the _opening_ battle, still more easily could it leave out the intricate barriers upon the hill.[35] This _ad captandum_ argument is disposed of as easily as the others. The Tapestry does not concern itself with landscape, and shows us neither a hill nor a plain. It could not, on a narrow strip, show us 'the hill of Senlac', but it could--and would--show us the alleged palisade. For not only does it strive under every difficulty to represent such objects as churches, castles and houses, but it faithfully shows us the 'palisade'[36] raised by William at Hastings itself. And if it be urged that it could not depict men fighting behind such a defence, let us turn to the scene at Dinan. If we compare it with the opening scene of the great battle itself, we see precisely similar horsemen advancing to the attack, similar infantry resisting that attack, and similar spears flying between them. But at Dinan the defenders have a palisade, and on the hill of battle they have not.[37]