Feudal tyrants; or, The Counts of Carlsheim and Sargans, volume 2 (of 4) — John Shaqi
Feudal tyrants; or, The Counts of Carlsheim and Sargans, volume 2 (of 4)Naubert, Benedikte
General
Feudal tyrants; or, The Counts of Carlsheim and Sargans, volume 2 (of 4)
Naubert, Benedikte
German fiction -- Translations into English
Johanna’s mildness towards the murderer’s family had been only assumed,
in hopes of discovering where Rodolpho himself was concealed. His
seizure had rendered further artifice unnecessary, and she was now
permitted to show the violence of her resentment without disguise. She
led her troops in person against Ravenstein. Though lately repaired and
internally fitted up with elegance and splendour, the fortress no longer
possest those strong means of defence, which in its antient state had
enabled it to set the attacks of foes so often at defiance. Walter
Forest, however, had engaged to undertake the command of it; but at the
time when Johanna unexpectedly appeared before the Castle, this brave
man was detained by patriotic duties in a distant part of the country.
The garrison were capable of making but a sorry resistance; the gates
were thrown open; and Johanna made her triumphal entrance into
Ravenstein over the bleeding corses of those, who had fallen the
innocent victims of her thirst for vengeance.
Oh! Urania, I know well, that justice required the punishment of
Albert’s murderers; I know well, that it was the remembrance of her
father’s death, which transformed his daughter into a Feind; but still
... still I feel it impossible for me without horror and disgust to
unite a thirst for blood with the name of woman. Johanna, that
Saint-like princess, that builder of cloisters, that worker of miracles;
that young and beautiful Johanna who, as ’tis whispered, is secretly by
no means averse to the tender passions; even that very Johanna pursued
her way over heaps of mutilated corses, and said with a triumphant smile
to those who followed her,—“that it seemed, as if her path had been
strown with roses.”—
The doors of the Great Hall were thrown open; Adelaide lay senseless in
the arms of her attendants. She was half stretched across the cradle of
her sleeping child, as if even in the moment of swooning she had still
been aware, that enemies were approaching too pityless to spare even
slumbering innocence.
The pale countenance of the Lady of the Beacon-Tower, the beauty of
whose features even sorrow had not been able to destroy, and the
helplessness of whose present situation served only to render her more
interesting, would have touched even the hearts of dæmons with
compassion; but on the incensed Johanna this very beauty produced quite
a contrary effect. In the eyes of her who gladly would have seen all
other charms eclipsed by her own, to be as lovely as Adelaide in itself
was a crime of no inconsiderable magnitude: nor could the queen observe
without extreme displeasure, that among the warriors in her train, many
an eye (whose approbation she would gladly have engrossed entirely)
dwelt with looks of tenderness and admiration on the fair lifeless
statue, which lay extended in the dust, overthrown by fear and sorrow.
—“Who is this woman?” demanded the queen.
—“Adelaide, Lady of the Beacon-Tower.”—
Public-domain text, read in full here on John Shaqi.
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