Feudal tyrants; or, The Counts of Carlsheim and Sargans, volume 3 (of 4)Naubert, Benedikte
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Feudal tyrants; or, The Counts of Carlsheim and Sargans, volume 3 (of 4)
Naubert, Benedikte
German fiction -- Translations into English
Herman was at a loss to comprehend the long silence of the Abbess, and
the deep meditation, into which his narrative seemed to have plunged
her. At length she recollected herself, and at her request he retired in
search of the stranger, Helen having previously stipulated that he
should not be present at their meeting. She was not certain, that in the
first moments of emotion she should be sufficiently mistress of herself
to conceal Emmeline’s name; and from what he had said, she collected,
that it was not her friend’s intention at present to discover herself to
her deliverer.
A few hours elapsed, before Emmeline appeared leaning on the good Abbot:
Helen now was no longer surprised, that in her present situation she had
not been recognized by her former lover. She was sadly, sadly changed.
It was necessary to have been quite as lovely as Emmeline, in order not
to have lost every charm of person during the long and cruel period of
her captivity; it was necessary to have possest as wonderful a strength
of mind as hers, in order to escape with her senses unimpaired from the
fearful shipwreck of all that was then most dear to her. Ah! Herman,
Herman! that youthful vivacity, which appeared to you so high a crime,
and for which you so unjustly blamed the innocent girl, was now fled for
ever; its place was supplied by a mild and serious look of resignation,
whose melancholy it’s true was sometimes illumined by a benevolent
smile; but the smile was but momentary, and its lustre soon faded away.
Yet thus it was, that you wished her to be; and thus must Emmeline needs
appear to you a thousand times more pleasing, than while she yet shone
with all the brilliant powers of unfaded youth, vivacity, and beauty.
Beautiful in truth was Emmeline no more; but Emmeline was still
interesting beyond expression. A slight frail nymph-like form, so light
that it seemed as if air could have sustained her; a face, robbed of its
roseate colour, but so dazzling fair, that she resembled a marble
statue; a countenance, from which a painter might have formed a portrait
of Christian Humility, and to which the consciousness of heroic
self-denial and of long abstraction from all earthly hopes and
pleasures, had given a saint-like expression that was almost
supernatural; such now was the once brilliant Emmeline of Sargans!
Public-domain text, read in full here on John Shaqi.
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