Feudal tyrants; or, The Counts of Carlsheim and Sargans, volume 4 (of 4)Naubert, Benedikte
General
Feudal tyrants; or, The Counts of Carlsheim and Sargans, volume 4 (of 4)
Naubert, Benedikte
German fiction -- Translations into English
The priest, in spite of all his seeming simplicity, was by no means
deficient in eloquence. His descriptions were so lively, and his
arguments came so home to her feelings, that Ida was soon convinced,
that she could meet with no ghost more terrible or more hideous than the
old Count of Montfort. She therefore resolved to follow her guide
without further remonstrance, and only requested that she might shut her
eyes, and clasp one of his hands with both of hers in the form of a
cross, which holy sign (she doubted not) would scare all evil spirits
away. To this he consented, and promised to inform her when she should
be arrived in a place of safety, and might relieve herself from this
voluntary loss of sight.
As they proceeded, the Monk lighted several torches of yellow wax, which
were fastened at intervals against the sides of a long passage, opening
into a large hall; he took the same precaution, as he ascended a lofty
marble staircase; and as soon as he entered a spacious saloon, he lost
no time in illuminating twelve large chandeliers of brass, which were
suspended from the roof.—He now desired Ida to open her eyes, and look
round her.
He could not have pitched upon a better method for dissipating Ida’s
fears of ghosts and goblins. Darkness is the mother of causeless terror;
with the return of light, courage and confidence return to the trembling
heart. The lamp, with which the Friar was still busied in lighting the
last chandelier, assured her, that there was nothing supernatural in the
light, by which she found herself surrounded; and her heart expanded
with the agreeable impression, produced upon her by this sudden and
unexpected splendour.
She had always pictured to herself the Donat-Fortress, as the residence
of crows, bats, and screech-owls, a gloomy chaos of dirt, and dust, and
fragments of moth-eaten furniture. How greatly then was she surprized to
find, that though everything in truth was faded and antiquated, yet
nothing could be more magnificent than the saloon, which she was then
examining. It was hung with tapestry richly wrought and adorned with
pictures, on whose frames gold and carving had been lavished most
profusely: and through the open door she looked out upon the illuminated
marble staircase, and down the long gallery, whose vista of lights
presented an object at once noble and agreeable. Father Hilarius advised
her to repose herself for a few minutes, and conducted her to an
elevated seat under a canopy, which seemed like a throne.
—“It was here,” said he “that the antient lords of the ten jurisdictions
were accustomed to receive the homage of their vassals, while that
anti-chamber was thronged with their knights and retainers; and it was
from yonder side-chambers, that crouds of the noblest dames and damsels
of the country looked out, and admired the magnificence of the powerful
Counts of Carlsheim and Sargans.”—
Public-domain text, read in full here on John Shaqi.
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