Adultery -- Fiction; Family -- Fiction; United States -- Social life and customs -- 20th century -- Fiction; Young women -- Fiction
It was a June evening a year later that Stuart Williams sat on the steps
of the porch that ran round the side of his house, humoring the fox
terrier who thought human beings existed to throw sticks for dogs. After
a while the man grew tired of that theory of human existence, and bade
the panting Fritz lie down on the step below him. From there Fritz would
look up to his master appealingly, eyes and tail saying, "Now let's
begin again." But he got no response, so, in philosophic dog fashion,
soon stretched out for a snooze.
The man was less philosophic: he had not that gift of turning from what
he wanted to what he could have.
A little later he would go to the rehearsal of the out-of-door play the
Country Club was getting ready to give. Ruth Holland would be there: she
too was in the play. Probably he would take her home, for they lived in
the same neighborhood and a little apart from the others. It was Mrs.
Lawrence who, the night of the first rehearsal, commented with relief
for one more thing smoothly arranged upon their going the same way.
For five weeks now they had been going the same way; their talk on those
homeward walks had been the lightest of talk, for the most part a
laughing over things that had happened during the rehearsal. And yet the
whole world had become newly alive, until tonight it seemed a tremulous,
waiting world. That light talk had been little more than a pulling back
from the pauses, little more than retreat, safeguard. It was the pauses
that lived on with him, creating his dreams; her face as she turned it
to him after a silence would sometimes be as if she had been caught into
that world touched to new life--world that waited. They would renew the
light talk as if coming back from something.
He let himself slip into dreaming now; he had told himself that that, at
least, could work no one harm, and in quiet hours, when he smoked,
relaxed, he was now always drawn over where he knew he must not let
himself go. It was as if something stronger than he was all around him.
One drooping hand caressed his dog; he drew in the fragrance from a rose
trellis near by; the leaves of the big tree moved with a gentle little
sound, a sound like the whisper of sweet things; a bird
note--goodnight--floated through the dusk. He was a man whom those
things reached. And in the last year, particularly in those last weeks,
it had come to be that all those things were one with Ruth Holland; to
open to them meant being drawn to her.
Public-domain text, read in full here on John Shaqi.
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