Field and Hedgerow: Being the Last Essays of Richard JefferiesJefferies, Richard
History
Field and Hedgerow: Being the Last Essays of Richard Jefferies
Jefferies, Richard
England -- Description and travel; Natural history
The shadows of the trees in the wood, why are they blue? Ought they not
to be dark? Is it really blue, or an illusion? And what is their colour
when you see the shadow of a tall trunk aslant in the air like a leaning
pillar? The fallen brown leaves wet with dew have a different brown from
those that are dry, and the upper surface of the green growing leaf is
different from the under surface. The yellow butterfly, if you meet one
in October, has so toned down his spring yellow that you might fancy him
a pale green leaf floating along the road. There is a shining, quivering,
gleaming; there is a changing, fluttering, shifting; there is a mixing,
weaving--varnished wings, translucent wings, wings with dots and veins,
all playing over the purple heath; a very tangle of many-toned lights and
hues. Then come the apples: if you look upon them from an upper window,
so as to glance along the level plane of the fruit, delicate streaks of
scarlet, like those that lie parallel to the eastern horizon before
sunrise; golden tints under bronze, and apple-green, and some that the
wasps have hollowed, more glowingly beautiful than the rest; sober leaves
and black and white swallows: to see it you must be high up, as if the
apples were strewn on a sward of foliage. So have I gone in three steps
from May dandelion to September apple; an immense space measured by
things beautiful, so filled that ten folio volumes could not hold the
description of them, and I have left out the meadows, the brooks, and
hills. Often in writing about these things I have felt very earnestly my
own incompetence to give the least idea of their brilliancy and
many-sided colours. My gamut was so very limited in its terms, and would
not give a note to one in a thousand of those I saw. At last I said, I
will have more words; I will have more terms; I will have a book on
colour, and I will find and use the right technical name for each one of
these lovely tints. I was told that the very best book was by Chevreul,
which had tinted illustrations, chromatic scales, and all that could be
desired.
Public-domain text, read in full here on John Shaqi.
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