Field and Hedgerow: Being the Last Essays of Richard JefferiesJefferies, Richard
History
Field and Hedgerow: Being the Last Essays of Richard Jefferies
Jefferies, Richard
England -- Description and travel; Natural history
It is summer, and the wind-birds top the furze; the bright stonechat,
velvet-black and red and white, sits on the highest spray of the gorse,
as if he were painted there. He is always in the wind on the hill, from
the hail of April to August's dry glow. All the mile-long slope of the
hill under me is purple-clad with heath down to the tree-filled gorge
where the green boughs seem to join the purple. The corn-fields and the
pastures of the plain--count them one by one till the hedges and squares
close together and cannot be separated. The surface of the earth melts
away as if the eyes insensibly shut and grew dreamy in gazing, as the
soft clouds melt and lose their outline at the horizon. But dwelling
there, the glance slowly finds and fills out something that interposes
its existence between us and the further space. Too shadowy for the
substance of a cloud, too delicate for outline against the sky, fainter
than haze, something of which the eye has consciousness, but cannot put
into a word to itself. Something is there. It is the air-cloud adhering
like a summer garment to the great downs by the sea. I cannot see the
substance of the hills nor their exact curve along the sky; all I can see
is the air that has thickened and taken to itself form about them. The
atmosphere has collected as the shadow collects in the distant corner of
a room--it is the shadow of the summer wind. At times it is so soft, so
little more than the air at hand, that I almost fancy I can look through
the solid boundary. There is no cloud so faint; the great hills are but a
thought at the horizon; I _think_ them there rather than see them; if I
were not thinking of them, I should scarce know there was even a haze,
with so dainty a hand does the atmosphere throw its covering over the
massy downs. Riding or passing quickly perhaps you would not observe
them; but stay among the heathbells, and the sketch appears in the south.
Up from the sea over the corn-fields, through the green boughs of the
forest, along the slope, comes a breath of wind, of honey-sweetened air,
made more delicate by the fanning of a thousand wings.
Public-domain text, read in full here on John Shaqi.
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