Field's Chromatography: or Treatise on Colours and Pigments as Used by ArtistsField, George
Science
Field's Chromatography: or Treatise on Colours and Pigments as Used by Artists
Field, George
Color; Colors; Painting -- Technique
Or _Ferricyanide of Iron_, is formed by adding the red prussiate of
potash to a protosalt of iron. This blue is lighter and more delicate
than ordinary Prussian blue, and is believed to resist the action of
alkalies longer. It is a question whether the common Prussian blue
obtained by oxidizing the precipitate yielded by green vitriol and the
yellow prussiate is not in reality this variety. However that may be,
there is, as far as permanence goes, little or no difference between the
two kinds.
ULTRAMARINES.
ARTIFICIAL ULTRAMARINES
comprise the varieties known as _French Ultramarine_, _French Blue_,
_Brilliant Ultramarine_, _Factitious Ultramarine_, _Guimet's
Ultramarine_, _New Blue_, _Permanent Blue_, _Gmelin's German
Ultramarine_, _Bleu de Garance_, _Outremer de Guimet_, &c. The
unrivalled qualities of native ultramarine prepared from the lapis
lazuli rendered it most desirable to obtain an artificial compound
which, while possessing similar properties, could be produced in
quantity, and at a less costly rate. In demolishing some furnaces
employed in making soda, by means of decomposing sulphate of soda, some
earth had been found impregnated with a light blue, which was proved to
have so close a resemblance to ultramarine as to foster hopes of
success. As a stimulus, there was offered a prize of six thousand francs
or £500 for the production of artificial ultramarine by the _Société
d'Encouragement_ of Paris, which was won in 1828 by M. Guimet. It is
fitting that the discoverer of a colour should excel in its manufacture,
and to this day Guimet's ultramarine is the finest made. As an instance
of how the researches of different men may, almost simultaneously, lead
to the same results, it is curious that very shortly after the problem
was also solved by Gmelin.
The cause of the blue colour of ultramarine was long a matter of
controversy, but was believed generally to be due to iron. When,
however, the discovery of artificial ultramarine was made, this
assumption was shown to be false, by the fact that a blue could be
obtained with materials perfectly free from iron. The absolutely
necessary constituents of ultramarine are silica, alumina, sulphur, and
soda; and there is little doubt that the colouring matter consists of
hyposulphite of soda and sulphide of sodium: it is certain that the blue
colour is dependant on the soda, inasmuch as potash yields an analogous
compound which is purely white. A number of substances, such as iron,
lime, magnesia, and potash, may be present as impurities, and were, in
part at least, purposely added to the earlier manufactures; but they are
found to be superfluous. Nevertheless, as regards iron, it is probable
that a very small portion, such as is usually contained in the
ingredients, greatly facilitates the production of the blue, and may
even be essential in some cases.
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