Field's Chromatography: or Treatise on Colours and Pigments as Used by ArtistsField, George
Science
Field's Chromatography: or Treatise on Colours and Pigments as Used by Artists
Field, George
Color; Colors; Painting -- Technique
Marrone is a retiring colour easily compounded in all its hues and
shades by the mixture variously of red, and black or brown; or of any
other warm colours in which red and black predominate. A reference to
the permanent brown, black, and red or reddish pigments will show to
what extent the colour marrone may safely be produced by admixture. In
compounding marrone, the brown or black may be itself compounded, before
the addition of the red, reddish-purple, or russet, requisite for its
conversion.
* * * * *
278. _Chica Marrone_.
Chica, the red colouring principle alluded to in the ninth chapter, is
extracted from the _Bignonia chica_, by boiling its leaves in water,
decanting the decoction, and allowing it to cool, when a red matter
falls down, which is formed into cakes and dried. Insoluble in cold
water, it dissolves in alcohol and alkalies; is precipitated from
alkaline solutions by acids without alteration; and is bleached by
chlorine. Another variety of the same substance, obtained from Para in
Brazil, and known as crajuru, carajuru, or caracuru, behaves in a
similar manner. This is said to be superior to the former sort.
A chica pigment, brought from South America, and examined by the author,
was of a soft powdery texture, and rich marrone colour. Somewhat
resembling Rubens' madder in hue, it was equal in body and transparency
to the carmine of cochineal, though by no means approaching it in
beauty, or even in durability. Simply exposed to the light of a window,
without sun, the colour was soon changed and destroyed. Conclusive
evidence as this is that the sample submitted to Mr. Field was
worthless, it remains to be seen whether all the colours to be derived
from chica, by different modes and from different kinds, are equally
valueless as pigments.
279. _Chocolate Lead_,
or Marrone Red, is a pigment prepared by calcining oxide of lead with
about a third of copper oxide, and reducing the compound to a uniform
tint by levigation. It is of a chocolate hue, strong opaque body, and
dries freely. Like all lead and copper colours, it is blackened by
impure air.
280. _Cobalt Marrone._
There is obtainable from cobalt a very rich marrone brown, which, like
many other colours, is more beautiful while moist than when dried.
Permanent, if carefully made and most thoroughly washed, it is an
expensive compound, and must rank among those colours which are
interesting in the laboratory but superfluous in the studio.
281. _Madder Marrone_,
Public-domain text, read in full here on John Shaqi.
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