Field's Chromatography: or Treatise on Colours and Pigments as Used by ArtistsField, George
Science
Field's Chromatography: or Treatise on Colours and Pigments as Used by Artists
Field, George
Color; Colors; Painting -- Technique
or Marrone Lake, was a preparation of madder, of great depth,
transparency, and stability. Working well in water, glazing and drying
in oil, and in every respect a good pigment, it was one of those colours
which gradually--and often, as in this case, unfortunately--become
obsolete, on account of their hues being easily given by admixture of
other pigments. There was likewise a deeper kind, called Purple Black. A
good madder marrone may be produced by adding to brown madder either
rose madder, madder carmine, or Rubens' madder, with a slight portion of
black or blue if required.
282. _Mars Marrone._
Under the heading of a New Marrone Pigment there appeared some months
back in a chemical journal the following:--"The blood-red compound
obtained by adding a soluble sulphocyanide to a salt of iron in solution
can be made (apparently at least) to combine with resin thus: To a
concentrated solution of sesquichloride of iron and sulphocyanide of
potassium in ether, an etherial solution of common resin is added, and
the whole well shaken together. There is then mixed with it a
sufficiency of water to cause a precipitate, when it will be found,
after the mixture has stood a few hours, that the whole or nearly the
whole of the red-coloured iron compound has united with the precipitated
resin, forming the marrone-coloured pigment in question. When this
coloured substance is finely powdered and mixed with water, the liquid
is not the least coloured; whence it is inferred that the red iron
compound has chemically united itself with the resin."
The foregoing account is rather to be regarded as of scientific interest
than of practical utility. The blood-red solution of sulphocyanide of
iron is in itself not stable: when the red solution of this salt is so
exposed to the sun, that the rays pass through the glass jar containing
it, it is rendered colourless, but the colour is retained or restored
when the rays pass directly from the air into the fluid; so that when a
properly diluted solution is placed in a cylindrical glass vessel in
direct sunshine, it loses colour in the morning till about eleven in the
forenoon, when the rays beginning to fall upon the surface exposed to
the air, gradually restore the colour, which attains its maximum about
two o'clock. Moreover, the solution is immediately decolourised by
sulphuretted hydrogen and other deoxidizing agents, as well as by
alkalies and many acids. It is scarcely probable that the union of the
red colouring matter with the resin would suffice to secure it from
change; and there is little doubt that the new marrone pigment would be
a chameleon colour.
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Public-domain text, read in full here on John Shaqi.
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