Field's Chromatography: or Treatise on Colours and Pigments as Used by Artists — John Shaqi
Field's Chromatography: or Treatise on Colours and Pigments as Used by ArtistsField, George
Science
Field's Chromatography: or Treatise on Colours and Pigments as Used by Artists
Field, George
Color; Colors; Painting -- Technique
Notwithstanding white pigments are tolerably numerous, a thoroughly
unexceptionable white is still a desideratum--one combining the perfect
opacity or body of white lead with the perfect permanency of zinc white.
The nearest approach to it that has yet been made, is Chinese white,
which possesses in a great measure the property of the former, and,
being a preparation of zinc, has wholly that of the latter.
Unfortunately Chinese white is a water-colour pigment only, not
retaining its several advantages, stability excepted, when employed in
oil.
1. CONSTANT WHITE,
Also called _Permanent white_, and _Barytic white_, is, when well
prepared, of superior body in water, but has less opacity in oil. It
works in a somewhat unsatisfactory and unpleasant manner, and is
considerably lower in its tone while wet than when dry, a fault which
subjects even an experienced artist to great uncertainty where he uses
it in compound tints. The semi-transparency of the white, while wet,
prevents his judging of the true tint until his colour has dried, when
he frequently finds it harsh and chalky, and out of tone with the rest
of his painting. As little gum as possible should be employed with it,
gum being inimical to its body, or whiteness. The best way of preparing
this pigment, as well as other terrene whites, so as to preserve their
opacity, is to grind them in simple water, and to add towards the end of
the grinding sufficient only of clear _cold_ jelly of gum tragacanth as
will connect them into a body, and attach them to the paper in painting.
Cold starch will answer the same purpose.
Constant white is a sulphate of baryta, found native and known under the
name of heavy-spar, or prepared artificially by adding sulphuric acid,
or a soluble sulphate, to a solution of a barytic salt. In the first
mode, if the white be not well purified from free acid, it is apt to act
injuriously on some pigments. Sulphate of baryta is often used for the
purpose of adulterating white lead, the native salt being ground to fine
powder, and washed with dilute sulphuric acid, by which its colour is
improved, and a little oxide of iron probably dissolved out. Whether
native or artificial, the compound is quite unaffected by impure air,
and is not poisonous.
LEAD WHITES
Comprise and are known under the names of:--_White lead_, _Flake white_
and _Body-white_, _Cremnitz_, or _Kremnitz_, _Crems_ or _Krems white_,
_London_ and _Nottingham white_, _Flemish white_, _Pattison's white_,
_Blanc d'argent_ or _Silver white_, _Ceruse_, _Dutch white_, _French
white_, _Venetian white_, _Hamburgh white_, _Kremser white_, _Sulphate
of lead_, &c.
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