Besides, none can be a good worker in science unless he is in
possession of good methods of scientific research; unless he has
learned to observe, to describe with exactitude, to discover mutual
relations between facts seemingly disconnected, to make inductive
hypotheses and to verify them, to reason upon cause and effect,
and so on. And none can be a good manual worker unless he has been
accustomed to the good methods of handicraft altogether. He must grow
accustomed to conceive the subject of his thoughts in a concrete
form, to draw it, or to model, to hate badly kept tools and bad
methods of work, to give to everything a fine touch of finish, to
derive artistic enjoyment from the contemplation of gracious forms
and combinations of colours, and dissatisfaction from what is ugly.
Be it handicraft, science, or art, the chief aim of the school is not
to make a specialist from a beginner, but to teach him the elements
of knowledge and the good methods of work, and, above all, to give
him that general inspiration which will induce him, later on, to put
in whatever he does a sincere longing for truth, to like what is
beautiful, both as to form and contents, to feel the necessity of
being a useful unit amidst other human units, and thus to feel his
heart at unison with the rest of humanity.
As for avoiding the monotony of work which would result from the
pupil always making mere cylinders and discs, and never making full
machines or other useful things, there are thousands of means for
avoiding that want of interest, and one of them, in use at Moscow, is
worthy of notice. It was, not to give work for mere exercise, but to
utilise everything which the pupil makes, from his very first steps.
Do you remember how you were delighted, in your childhood, if your
work was utilised, be it only as a part of something useful? So they
did at Moscow. Each plank planed by the pupils was utilised as a part
of some machine in some of the other workshops. When a pupil came to
the engineering workshop, and was set to make a quadrangular block
of iron with parallel and perpendicular surfaces, the block had an
interest in his eyes, because, when he had finished it, verified its
angles and surfaces, and corrected its defects, the block was not
thrown under the bench--it was given to a more advanced pupil, who
made a handle to it, painted the whole, and sent it to the shop of
the school as a paper-weight. The systematical teaching thus received
the necessary attractiveness.[192]
Public-domain text, read in full here on John Shaqi.
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