It is evident that celerity of work is a most important factor in production. So it might be asked if, under the above system, the necessary speed of work could be obtained. But there are two kinds of celerity. There is the celerity which I saw in a Nottingham lace-factory: full-grown men, with shivering hands and heads, were feverishly binding together the ends of two threads from the remnants of cotton-yarn in the bobbins; you hardly could follow their movements. But the very fact of requiring such kind of rapid work is the condemnation of the factory system. What has remained of the human being in those shivering bodies? What will be their outcome? Why this waste of human force, when it could produce ten times the value of the odd rests of yarn? This kind of celerity is required exclusively because of the cheapness of the factory slaves; so let us hope that no school will ever aim at this kind of quickness in work. But there is also the time-saving celerity of the well-trained worker, and this is surely achieved best by the kind of education which we advocate. However plain his work, the educated worker makes it better and quicker than the uneducated. Observe, for instance, how a good worker proceeds in cutting anything--say a piece of cardboard--and compare his movements with those of an improperly trained worker. The latter seizes the cardboard, takes the tool as it is, traces a line in a haphazard way, and begins to cut; half-way he is tired, and when he has finished his work is worth nothing; whereas, the former will examine his tool and improve it if necessary; he will trace the line with exactitude, secure both cardboard and rule, keep the tool in the right way, cut quite easily, and give you a piece of good work. This is the true time-saving celerity, the most appropriate for economising human labour; and the best means for attaining it is an education of the most superior kind. The great masters painted with an astonishing rapidity; but their rapid work was the result of a great development of intelligence and imagination, of a keen sense of beauty, of a fine perception of colours. And that is the kind of rapid work of which humanity is in need. * * * * *