Fiesco; or, the Genoese Conspiracy: A Tragedy — John Shaqi
Fiesco; or, the Genoese Conspiracy: A TragedySchiller, Friedrich
History
Fiesco; or, the Genoese Conspiracy: A Tragedy
Schiller, Friedrich
Fiéschi, Gian Luigi, conte di Lavagna, 1522-1547 -- Drama; Genoa (Italy) -- History -- Drama
JULIA. Do you talk of losing Fiesco? Good God! How could you ever
conceive the ambitious idea of possessing him? Why, my child, aspire to
such a height? A height where you cannot but be seen, and must come into
comparison with others. Indeed, my dear, he was a knave or a fool who
joined you with FIESCO. (Taking her hand with a look of compassion.)
Poor soul! The man who is received in the assemblies of fashionable life
could never be a suitable match for you. (She takes a dish of
chocolate.)
LEONORA (smiling at ARABELLA). If he were, he would not wish to mix with
such assemblies.
JULIA. The Count is handsome, fashionable, elegant. He is so fortunate
as to have formed connections with people of rank. He is lively and
high-spirited. Now, when he severs himself from these circles of
elegance and refinement, and returns home warm with their impressions,
what does he meet? His wife receives him with a commonplace tenderness;
damps his fire with an insipid, chilling kiss, and measures out her
attentions to him with a niggardly economy. Poor husband! Here, a
blooming beauty smiles upon him--there he is nauseated by a peevish
sensibility. Signora, signora, for God's sake consider, if he have not
lost his understanding, which will he choose?
LEONORA (offering her a cup of chocolate). You, madam--if he have
lost it.
JULIA. Good! This sting shall return into your own bosom. Tremble for
your mockery! But before you tremble--blush!
LEONORA. Do you then know what it is to blush, signora? But why not?
'Tis a toilet trick.
JULIA. Oh, see! This poor creature must be provoked if one would draw
from her a spark of wit. Well--let it pass this time. Madam, you were
bitter. Give me your hand in token of reconciliation.
LEONORA (offering her hand with a significant look). Countess, my anger
ne'er shall trouble you.
JULIA (offering her hand). Generous, indeed! Yet may I not be so, too?
(Maliciously.) Countess, do you not think I must love that person whose
image I bear constantly about me?
LEONORA (blushing and confused). What do you say? Let me hope the
conclusion is too hasty.
JULIA. I think so, too. The heart waits not the guidance of the senses
--real sentiment needs no breastwork of outward ornament.
LEONORA. Heavens! Where did you learn such a truth?
JULIA. 'Twas in mere compassion that I spoke it; for observe, madam, the
reverse is no less certain. Such is Fiesco's love for you. (Gives her
the picture, laughing maliciously.)
LEONORA (with extreme indignation). My picture! Given to you! (Throws
herself into a chair, much affected.) Cruel, Fiesco!
JULIA. Have I retaliated? Have I? Now, madam, have you any other sting
to wound me with? (Goes to side scene.) My carriage! My object is
gained. (To LEONORA, patting her cheek.) Be comforted, my dear; he gave
me the picture in a fit of madness.
[Exeunt JULIA and ARABELLA.
SCENE III.
LEONORA, CALCAGNO entering.
Public-domain text, read in full here on John Shaqi.
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