Fiesco; or, the Genoese Conspiracy: A Tragedy — John Shaqi
Fiesco; or, the Genoese Conspiracy: A TragedySchiller, Friedrich
History
Fiesco; or, the Genoese Conspiracy: A Tragedy
Schiller, Friedrich
Fiéschi, Gian Luigi, conte di Lavagna, 1522-1547 -- Drama; Genoa (Italy) -- History -- Drama
LEONORA (rising.) What, before my eyes! with a notorious coquette! In
presence of the whole nobility of Genoa! (strongly affected.)--Rosa!
Arabella! and before my weeping eyes!
ROSA. Look upon it only as what it really was--a piece of gallantry. It
was nothing more.
LEONORA. Gallantry! What! Their busy interchange of glances--the
anxious watching of her every motion--the long and eager kiss upon her
naked arm, impressed with a fervor that left in crimson glow the very
traces of his lips! Ha! and the transport that enwrapped his soul, when,
with fixed eyes, he sat like painted ecstacy, as if the world around him
had dissolved, and naught remained in the eternal void but he and Julia.
Gallantry? Poor thing! Thou hast never loved. Think not that thou
canst teach me to distinguish gallantry from love!
ROSA. No matter, Signora! A husband lost is as good as ten lovers
gained.
LEONORA. Lost? Is then one little intermission of the heart's
pulsations a proof that I have lost Fiesco? Go, malicious slanderer!
Come no more into my presence! 'Twas an innocent frolic--perhaps a mere
piece of gallantry. Say, my gentle Arabella, was it not so?
ARABELLA. Most certainly! There can be no doubt of it!
LEONORA (in a reverie). But does she then feel herself sole mistress of
his heart? Does her name lurk in his every thought?--meet him in every
phase of nature? Can it be? Whither will these thoughts lead me? Is
this beautiful and majestic world to him but as one precious diamond, on
which her image--her image alone--is engraved? That he should love her?
--love Julia! Oh! Your arm--support me, Arabella! (A pause; music is
again heard.)
LEONORA (starting). Hark! Was not that Fiesco's voice, which from the
tumult penetrated even hither? Can he laugh while his Leonora weeps in
solitude? Oh, no, my child, it was the coarse, loud voice of Gianettino.
ARABELLA. It was, Signora--but let us retire to another apartment.
LEONORA. You change color, Arabella--you are false. In your looks, in
the looks of all the inhabitants of Genoa, I read a something--a
something which--(hiding her face)--oh, certainly these Genoese know more
than should reach a wife's ear.
ROSA. Oh, jealousy! thou magnifier of trifles!
LEONORA (with melancholy enthusiasm). When he was still Fiesco; when in
the orange-grove, where we damsels walked, I saw him--a blooming Apollo,
blending the manly beauty of Antinous! Such was his noble and majestic
deportment, as if the illustrious state of Genoa rested alone upon his
youthful shoulders. Our eyes stole trembling glances at him, and shrunk
back, as if with conscious guilt, whene'er they encountered the lightning
of his looks. Ah, Arabella, how we devoured those looks! with what
anxious envy did every one count those directed to her companions! They
fell among us like the golden apple of discord--tender eyes burned
fiercely--soft bosoms beat tumultuously--jealousy burst asunder all our
bonds of friendship----
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