Fiesco; or, the Genoese Conspiracy: A Tragedy — John Shaqi
Fiesco; or, the Genoese Conspiracy: A TragedySchiller, Friedrich
History
Fiesco; or, the Genoese Conspiracy: A Tragedy
Schiller, Friedrich
Fiéschi, Gian Luigi, conte di Lavagna, 1522-1547 -- Drama; Genoa (Italy) -- History -- Drama
FIESCO. I pity thee, Calcagno. Didst thou think I should, upon so
delicate a point, have been thus careless had I not relied in perfect
security on my wife's virtue and my own deserts? Yet I welcome this
passion. Thou art a good soldier. It shall procure me thy arm for the
destruction of Doria. (Walking up and down.) Now, Doria, to the scene
of action! All the machines are ready for the grand attempt--the
instruments are tuned for the terrific concert. Naught is wanting but to
throw off the mask, and show Fiesco to the patriots of Genoa. (Some
persons are heard approaching.) Ha! Visitors! Who can be coming to
disturb me?
SCENE XVII.
FIESCO, VERRINA, ROMANO, with a picture; SACCO, BOURGOGNINO,
CALCAGNO.
FIESCO (receiving them with great affability). Welcome, my worthy
friends! What important business brings you all hither? Are you, too,
come, my dear brother, Verrina? I should almost have forgotten you, had
you not oftener been present to my thoughts than to my sight. I think I
have not seen you since my last entertainment.
VERRINA. Do not count the hours, Fiesco! Heavy burdens have in that
interval weighed down my aged head. But enough of this----
FIESCO. Not enough to satisfy the anxiety of friendship. You must
inform me farther when we are alone. (Addressing BOURGOGNINO.) Welcome,
brave youth! Our acquaintance is yet green; but my affection for thee is
already ripe. Has your esteem for me improved?
BOURGOGNINO. 'Tis on the increase.
FIESCO. Verrina, it is reported that this brave young man is to be your
son-in-law. Receive my warmest approbation of your choice. I have
conversed with him but once; and yet I should be proud to call him my
relation.
VERRINA. That judgment makes me of my daughter vain.
FIESCO (to the others). Sacco, Calcagno--all unfrequent visitors--I
should fear the absence of Genoa's noblest ornaments were a proof that I
had been deficient in hospitality. And here I greet a fifth guest,
unknown to me, indeed, but sufficiently recommended by this worthy
circle.
ROMANO. He, my lord, is simply a painter, by name Julio Romano, who
lives by theft and counterfeit of Nature's charms. His pencil is his
only escutcheon; and he now comes hither (bowing profoundly) to seek the
manly outlines of a Brutus.
FIESCO. Give me your hand, Romano! I love the mistress of your soul
with a holy fire. Art is the right hand of Nature. The latter only gave
us being, but 'twas the former made us men. What are the subjects of
your labor?
ROMANO. Scenes from the heroic ages of antiquity. At Florence is my
dying Hercules, at Venice my Cleopatra, the raging Ajax at Rome, where,
in the Vatican, the heroes of former times rise again to light.
FIESCO. And what just now employs you?
ROMANO. Alas! my lord, I've thrown away my pencil. The lamp of genius
burns quicker than the lamp of life. Beyond a certain moment the flame
flickers and dies. This is my last production.
Public-domain text, read in full here on John Shaqi.
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