Fiesco; or, the Genoese Conspiracy: A TragedySchiller, Friedrich
History
Fiesco; or, the Genoese Conspiracy: A Tragedy
Schiller, Friedrich
Fiéschi, Gian Luigi, conte di Lavagna, 1522-1547 -- Drama; Genoa (Italy) -- History -- Drama
MOOR. Now I'll let you into a secret, my boys; 'twas I that cooked this
soup, but the devil a spoonful do they give me. Well, I care not. This
hubbub is just to my taste. We'll set about burning and plundering.
While they are squabbling for a dukedom we'll make a bonfire in the
churches that shall warm the frozen apostles. (They disperse themselves
among the neighboring houses.)
SCENE VIII.
BOURGOGNINO--BERTHA, disguised as a boy.
BOURGOGNINO. Rest here, dear youth; thou art in safety. Dost thou
bleed?
BERTHA (in a feigned voice). No; not at all.
BOURGOGNINO (with energy). Rise, then, I'll lead thee where thou mayst
gain wounds for Genoa--wounds beautiful like these. (Uncovering his
arm.)
BERTHA (starting). Heavens!
BOURGOGNINO. Art thou frightened, youth? Too early didst thou put on
the man. What age hast thou?
BERTHA. Fifteen years.
BOURGOGNINO. That is unfortunate! For this night's business thou art
five years too young. Who is thy father?
BERTHA. The truest citizen in Genoa.
BOURGOGNINO. Gently, boy! That name belongs alone to the father of my
betrothed bride. Dost thou know the house of Verrina?
BERTHA. I should think so.
BOURGOGNINO (eagerly). And knowest thou his lovely daughter?
BERTHA. Her name is Bertha.
BOURGOGNINO. Go, quickly! Carry her this ring. Say it shall be our
wedding-ring; and tell her the blue crest fights bravely. Now farewell!
I must hasten yonder. The danger is not yet over. (Some houses are seen
on fire.)
BERTHA (in a soft voice). Scipio!
BOURGOGNINO (struck with astonishment). By my sword! I know that voice.
BERTHA (falling upon his neck). By my heart! I am well known here.
BOURGOGNINO. Bertha! (Alarm-bells sound in the suburbs--a tumult--
BOURGOGNINO and BERTHA embrace, and are lost in the crowd.) [NOTE]
[NOTE] In lieu of this scene Schiller substituted the following, during
his stay at Leipzig in 1786, for the use of the theatre there:--
A subterranean vault, lighted by a single lamp. The background
remains quite dark. BERTHA is discovered sitting on a stone in
the foreground; a black veil covers her face. After a pause she
rises and walks to and fro.
Public-domain text, read in full here on John Shaqi.
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