Fiesco; or, the Genoese Conspiracy: A TragedySchiller, Friedrich
History
Fiesco; or, the Genoese Conspiracy: A Tragedy
Schiller, Friedrich
Fiéschi, Gian Luigi, conte di Lavagna, 1522-1547 -- Drama; Genoa (Italy) -- History -- Drama
BERTHA. Still no sound? No sign of human footstep? No approach of
my deliverers. Horrible suspense! Fearful and hopeless as that of
one buried alive beneath the sod of the churchyard. And for what dost
thou sit, poor deceived one? An inviolable oath immures thee in this
dungeon. Gianettino Doria must fall, and Genoa be free, or Bertha left
to pine away her miserable existence, such was my father's oath.
Fearful prison-house to which there is no key but the death-groan of a
well-guarded tyrant. (Looking round the vault) How awful is this
stillness! terrible as the silence of the grave! How fearfully the
darkness creeps from yonder vaults! My lamp, too, is flickering in its
socket. (Walking up and down energetically). Oh, come, come, my
beloved, 'tis horrible to die here. (A pause--then she starts up and
rushes to and fro wringing her hands to deep despair.) He has forsaken
me. He has broken his oath. He has forgotten his Bertha. The living
think not of the dead, and this vault is my tomb. Hope no more, wretched
one. Hope flourishes only where the eye of the Almighty pervades--into
this dungeon it never penetrates. (Again a pause; she becomes still more
alarmed.)
Or have my deliverers perished? Perchance the bold attempt has failed,
the danger has overwhelmed the courageous youth. O unhappy Bertha,
perhaps even now their ghosts are wandering through these vaults, and
weep over thy vain hopes. (Shuddering.) Heavens! if they are dead I am
irrevocably lost, irrevocably abandoned to a horrible death. (Leans
against the wall for support. After a pause she continues despondingly.)
And if my beloved one still lives--if he should return to keep his word,
to fetch his bride away in triumph, and find all here lonely and silent,
and the inanimate corpse no longer sensible to his transports--when his
burning kisses shall in vain endeavor to restore the life which has fled
from these lips, and his tears flow on me hopelessly--when my father
shall sink weeping on the body of his daughter, and the voice of his
lamentations echo through the regions of my prison-house. Oh, then
repeat not to them my complaints, ye walls! Tell them that I suffered
like a heroine, and that my last sigh was forgiveness. (Sinks exhausted
on the stone--pause--a confused sound of drums and bells is heard from
behind the stage in various directions. BERTHA starts to her feet.)
Hark! what means this? Am I awake, or do I dream? How dreadfully the
bells clang! That is no sound of ringing to prayers. (The noise comes
nearer and increases; she rushes to and fro alarmed.) Louder and louder
yet! Heavens, they are alarm-bells! they are alarm-bells! Have enemies
surprised the city? Is Genoa in flames? A wild and dreadful din, like
the trampling of myriads! What's that? (Someone knocks loudly at the
door.) They come this way--they draw the bolts--(rushing towards the
background). Men! Men! Liberty! Deliverance! (BOURGOGNINO enters
hastily with a drawn sword, followed by several torch-bearers.)
Public-domain text, read in full here on John Shaqi.
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