Fifteen Years Among the Top-Knots; Or, Life in KoreaUnderwood, Lillias H. (Lillias Horton)
Religion
Fifteen Years Among the Top-Knots; Or, Life in Korea
Underwood, Lillias H. (Lillias Horton)
Korea -- Description and travel; Missions -- Korea
Early in the fall of 1889 I was invited to another audience at the
palace, with some of the foreign state officials and their wives.
After the audience a dinner was served, and later, a performance by
dancing girls was given. And right here I must say, that although on
several occasions at the palace I have seen dancing girls in these
entertainments, I have never beheld anything at such times in their
actions that was improper or even undignified. Their motions are
graceful, usually slow, circling around hand in hand or in various
combinations of pretty figures. They wear high-necked and long-sleeved
jackets or coats, and long skirts, the figure quite concealed by the
fashion of the dress. And yet, thus to appear in public, allowing their
faces to be seen by strangers, is the gravest breach of propriety in
the eyes of all Koreans, and these girls are, alas! as depraved as
women can be. Like those of their class in all countries, they are the
most pitiable and hopeless of women, but unlike those who have thrown
themselves away, they deserve small blame mixed with the compassion one
feels for them, for these poor girls have been sold by their parents
into their awful lives, and were given no choice of their destiny. Many
a poor little Korean child is sold into slavery for a few bags of rice,
to be trained as a dancing girl, used as a common drudge, or married to
a man she has never seen, while she is hardly larger than our little
ones playing with their dolls in the nursery.
But to return to our palace entertainment, from which I have made a
rather long digression. The guests were seated on the veranda, or
“maru,” in front of the dining hall, and in the grounds before us
appeared a pretty boat with wide spread sails, in which were seated
some gaily dressed girls. Others now appeared, dancing to slow native
music, a stately figure, almost in minuet fashion, with waving of
flowing sleeves and banners. They were evidently the spirits of the
wind, and the boat was waiting the favoring breeze. The music grew
quicker, while faster and faster stepped the dancers, more and more
swiftly fanning the sails with sleeves, skirts and scarfs, till at last
the boat slowly moved forward, and with its attendants moved out of
sight. When the boat had been thus gracefully fanned away, a couple of
mammoth lotus plants were brought out, with great closed blossoms seen
among the leaves.
Public-domain text, read in full here on John Shaqi.
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