Fifteen years of a dancer's life : $b With some account of her distinguished friendsFuller, Loie
General
Fifteen years of a dancer's life : $b With some account of her distinguished friends
Fuller, Loie
Dancers -- United States -- Biography; Fuller, Loie, 1862-1928
The château, which antedates Louis’ project, is still in existence.
There it was that Napoleon stayed for a while when on his way to
Fontainebleau. He held a council in the shade of a venerable tree,
which, from its superb height, dominates the grassy hill in front of
the château. Under the tree were installed the table and the stone
bench, which are still shown, in order that the Emperor might hold a
council of those who were faithful to him, and be free from the prying
eyes of inquisitive persons. Behind the château is the famous lane, a
great avenue completely covered by the branches of two rows of trees,
where according to tradition Napoleon passed some hours in congenial
company.
The château once became the property of an amateur astronomer. He
had an observatory built on it, and on his death he bequeathed this
wonderful estate to a man whom he had never met. This man was Camille
Flammarion.
I once attended a varnishing day with Camille Flammarion. I wanted to
do him the honour of going dressed in my best, and so I bought for the
occasion a costume which, I think, must have been very pretty. To go
with the gown I selected a hat with long ribbons hanging behind.
M. Flammarion appeared in a smoking jacket of brown velvet and a soft
hat.
Everybody in this gathering of specialists and artists was acquainted
with him. There was whispering to the effect that Loie Fuller was with
him, and soon we had around us more people than there were in front of
any single picture. I fancied that we looked very swell, but I was told
later on that we were followed principally because of our reputations,
because never a woman was arrayed as I was that day, and because M.
Flammarion’s garb was not exactly conventional.
Our success was such that one enthusiast even cut the ribbons from my
hat, probably to keep them as a souvenir of a spectacle that he thought
memorable.
In other circumstances I made a display that was not less memorable
though confined to a smaller number of spectators.
Public-domain text, read in full here on John Shaqi.
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