English literature -- Middle English, 1100-1500; Great Britain -- Social life and customs -- 1066-1485 -- Sources
would have been just what a plain man would expect. Not only by his
inconvenient possession of genius, but also by his great, if fitful
industry, and by what we can hardly call by any name but good luck,
Chaucer shoots up suddenly between Gower and his natural successors, and
thus revolutionises the standard of poetry by which the next century is
inevitably judged. The effect of his sudden uprising is almost as
confusing to our judgments of his own poetry as of that of his unhappy
'successors.' Brought up, as most of us poor middle-aged critics have
been, on textbooks which grudgingly devoted a scanty thirty or forty
pages to all that happened ere Surrey and Wyatt began to write an
English which literary historians could read without taking any trouble,
we inevitably got it into our heads that with Chaucer we were at the
very beginning; that he was really, as he was called, the Father of
English Poetry, and represented the first blossoming of its spring. The
spring had come and was fast fading when Chaucer began to write. It had
come with the first blossoming of the romances, and with such lyrics as
'Lenten[1] is come with love to town,
With blossoms and with birdes rown';[2]
or as
'Blow, northern wind,
Send thou me my sweeting';
of which the lightness and spontaneity are represented in only a few
snatches in Chaucer. Other touches of the spring he has, for no man
better loved the merry month of May, and he has sung it until he has
become for ever identified with it in our minds. All the same, he
represents also a reaction which sees the humorous side of the lover's
springtide longings, and views all things very much as they are, without
illusion. Fortunately, in Chaucer's case this prosaic mood was raised
and transfigured by the revelation of Italian poetry, which enabled him
to give us in _Troilus and Cressida_, and the knight's tale of _Palamon
and Arcite_, the most perfect harmony of humour and romance English
narrative poetry has produced. No other poet of his time came under the
same influences, and to this fact, as well as to his possession of
genius, he owes his unique position.
Public-domain text, read in full here on John Shaqi.
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