COCOTTE [_shuddering_]. I can't look at it. [_Comes back to her table._]
A WOMAN. Look! He's come up! Over there!
CHILD. I can't see.
TOWNSWOMAN. My little heart of gold [_to her husband_]. Why don't you
lift him up? Don't you hear that the child can't see? [_Townsman takes
the child on his shoulder._]
YOUNG MAN [_coming back to table_]. These people are utterly heartless.
It is revolting.
AMERICAN [_loudly_]. I'll bet twenty dollars he drowns. Who'll take the
bet? Twenty dollars.
YOUNG MAN. Are you a man or a beast?
AMERICAN. Young man, better shut your mouth. [_Fills his glass._]
YOUNG MAN. Does no one hear know the meaning of Altruism?
ARTIST. Altruism! Ha, ha! [_Laughs scornfully._] Love of one's neighbor.
God preserve mankind from Altruism!
COCOTTE. What do you mean? You are not in earnest?
ARTIST. In dead earnest. [_Some one in the crowd brings a boat hook and
reaches down into the river._]
AMERICAN. I'll bet twenty-five dollars that he doesn't drown--thirty
dollars! [_Disgustedly, seeing that no one takes him up._] Tightwads!
ARTIST. Life is like that. One man's success is another man's failure.
He who sacrifices himself for an idea is a hero. He who sacrifices
himself for a fellow man is a fool.
YOUNG MAN [_theatrically_]. No, it is the highest, the noblest of
instincts. That is why my heart bleeds when I see all these people stand
indifferently by while a fellow man is drowning. No one jumps in after
him--
AMERICAN. Jump in yourself, young man, jump in yourself.
YOUNG MAN [_center_]. It is different with me, I am with a lady--it
wouldn't be right.
AMERICAN. Nobody will bet. This is a hell of a bunch. They ought to see
one of our nigger lynchings. [_Strokes the dog._] Poor Molly! She is so
nervous. Things like this get her all excited.
[_Two Policemen enter._]
FIRST POLICEMAN. Look at the mob. Something is liable to happen there.
SECOND POLICEMAN. Isn't it forbidden for such a mob to gather on the
dock?
FIRST POLICEMAN. Sure, it's against the law. Why shouldn't it be?
SECOND POLICEMAN [_shaking their heads_]. This is no place for us.
[_Exit Left._]
ARTIST [_to the Young Man_]. Does it begin to dawn on you that true love
of one's neighbor would not only be monotonous but unbearable as well.
YOUNG MAN. Out there a man is drowning--and you stand there moralizing.
ARTIST. Why not? We read a dozen suicides every day. [_x to Chair
Left._] Yet we go home and eat our dinner with undiminished relish. Why
then sentimentalize over a drowning beggar? I wouldn't rescue a man who
had fallen into the water much less one who had jumped in.
YOUNG MAN [_passionately_]. Sir--I despise you! [_Goes into the crowd._]
[_A man has succeeded in prying up the life buoy, now he throws it
into the water with the warning cry "Look out."_]
ARTIST. Love of one's neighbor is a mask. A mask that people wear to
hide from themselves their real faces.
Public-domain text, read in full here on John Shaqi.
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