Great Britain -- Social life and customs -- 19th century
(From a Drawing made by F. W. Fairholt in 1826)]
Here comes, with a roll intended for a military swagger, the cheap
dandy. I know not what he is by trade; he is too old for a medical
student, not shabby enough for an attorney’s clerk, and not respectable
enough for a City clerk. Is it possible that he is a young gentleman
of very small fortune which he is running through? He wears a tall hat
broader at the top than at the bottom, he carries white thread gloves,
sports a cane, has his trousers tightly strapped, wears a tremendously
high stock, with a sham diamond pin, a coat with a velvet collar, and a
double-breasted waistcoat. His right hand is stuck--it is an aggressive
attitude--in his coat-tail pocket. The little old gentleman who follows
him, in black shorts and white silk stockings, will be gone before your
time; so will yonder still more ancient gentleman in powdered hair and
pigtail who walks slowly along. Pigtails in your time will be clean
forgotten as well as black silk shorts.
[Illustration: THE LAST CABRIOLET DRIVER
(From the Drawing by George Cruikshank in ‘Sketches by Boz’)]
Do you see that thin, spare gentleman in the cloak, riding slowly along
the street followed by a mounted servant? The people all take off their
hats respectfully to him, and country folk gaze upon him curiously.
That is the Duke. There is only one Duke to the ordinary Briton. It is
the Duke with the hook nose--the Iron Duke--the Duke of Wellington.
The new-fashioned cabriolet, with a seat at the side for the driver and
a high hood for the fare, is light and swift, but it is not beautiful
nor is it popular. The wheels are too high and the machine is too
narrow. It is always upsetting, and bringing its passengers to grief.
Here is one of the new police, with blue swallow-tail coat tightly
buttoned, and white trousers. They are reported to be mightily
unpopular with the light-fingered gentry, with whose pursuits they are
always interfering in a manner unknown to the ancient Charley.
Public-domain text, read in full here on John Shaqi.
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