Honest tar! Shall we meet him to-morrow with another parcel tied in the same bandanna, his face screwed up with the same perplexity and anxiety to get rid of his valuable burden? You yourself, Eighty-seven, will have your confidence trick, your ring-dropper, your thimble-and-pea, your fat partridge-seller, even though the bold smuggler be no more. [Illustration: AN OMNIBUS UPSET (From Cruikshank’s ‘Comic Almanack’)] In the matter of street music we of Thirty-seven are perhaps in advance of you of Eighty-seven. We have not, it is true, the pianoforte-organ, but we have already the other two varieties--the Rumbling Droner and the Light Tinkler. We have not yet the street nigger, or the banjo, or the band of itinerant blacks, or Christy’s Minstrels. The negro minstrel does not exist in any form. But the ingenious Mr. Rice is at this very moment studying the plantation songs of South Carolina, and we can already witness his humorous personation of ‘Jump, Jim Crow,’ and his pathetic ballad of ‘Lucy Neal.’ (He made his first appearance at the Adelphi as Jim Crow in 1836.) We have, like you, the Christian family in reduced circumstances, creeping slowly, hand in hand, along the streets, singing a hymn the while for the consolation it affords. They have not yet invented Moody and Sankey, and therefore they cannot sing ‘Hold the Fort’ or ‘Dare to be a Daniel,’ but there are hymns in every collection which suit the Gridler. We have also the ballad-singer, who warbles at the door of the gin-palace. His favourite song just now is ‘All round my Hat.’ We have the lady (or gentleman) who takes her (or his) place upon the kerb with a guitar, adorned with red ribbon, and sings a sentimental song, such as ‘Speed on, my Mules, for Leila waits for me,’ or ‘Gaily the Troubadour;’ there is the street seller of ballads at a penny each, a taste of which he gives the delighted listener; there are the horns of stage-coach and of omnibus, blown with zeal; there is the bell of the crier, exercised as religiously as that of the railway-porter; the Pandean pipes and the drum walk, not only with Punch, but also with the dancing bear. The performing dogs, the street acrobats, and the fantoccini; the noble Highlander not only stands outside the tobacconist’s, taking a pinch of snuff, but he also parades the street, blowing a most patriotic tune upon his bagpipe; the butcher serenades his young mistress with the cleaver and the bones; the Italian boy delights all the ears of those who hear with his hurdy-gurdy. [Illustration: EXETER CHANGE]