Great Britain -- Social life and customs -- 19th century
still very much in the eighteenth century, when there were no gentlemen
recognised except those who were gentlemen by birth.
With close Fellowships, tied to the Church of England, with little or
no science, Art, archæology, philology, Oriental learning, or any of
the modern branches of learning, with a strong taste for port, and
undergraduates drawn for the most part from the upper classes, the
Universities were different indeed from those of the present day.
As for the education of women, it was like unto the serpents of
Ireland. Wherefore we need not devote a chapter to this subject at all.
CHAPTER XI.
THE TAVERN.
The substitution of the Restaurant for the Tavern is of recent origin.
In the year 1837 there were restaurants, it is true, but they were
humble places, and confined to the parts of London frequented by the
French; for English of every degree there was the Tavern. Plenty of the
old Taverns still survive to show us in what places our fathers took
their dinners and drank their punch. The Cheshire Cheese is a survival;
the Cock, until recently, was another. Some of them, like the latter,
had the tables and benches partitioned off; others, like the former,
were partly open and partly divided. The floor was sanded; there was a
great fire kept up all through the winter, with a kettle always full
of boiling water; the cloth was not always of the cleanest; the forks
were steel; in the evening there was always a company of those who
supped--for they dined early--on chops, steaks, sausages, oysters, and
Welsh rabbit, of those who drank, those who smoked their long pipes,
and those who sang. Yes--those who sang. In those days the song went
round. If three or four Templars supped at the Coal Hole, or the
Cock, or the Rainbow, one of them would presently lift his voice in
song, and then be followed by a rival warbler from another box. At the
Coal Hole, indeed--where met the once famous Wolf Club, Edmund Kean,
President--the landlord, one Rhodes by name, was not only a singer but
a writer of songs, chiefly, I apprehend, of the comic kind. I suppose
that the comic song given by a private gentleman in character--that is,
with a pocket-handkerchief for a white apron, or his coat off, or a
battered hat on his head--is almost unknown to the younger generation.
They see the kind of thing, but done much better, at the music-halls.
[Illustration: EDMUND KEAN AS RICHARD THE THIRD]
Public-domain text, read in full here on John Shaqi.
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