Fifty years hence: or, What may be in 1943: A prophecy supposed to be based on scientific deductions by an improved graphical methodGrimshaw, Robert
Science
Fifty years hence: or, What may be in 1943: A prophecy supposed to be based on scientific deductions by an improved graphical method
Grimshaw, Robert
Twentieth century -- Forecasts; Utopias
The fine arts of 1943 have kept pace with other branches of culture.
Sculpture and painting, instead of having been thrown into the shade
by the wonderful achievements in photography and engraving, have
received a great impetus. Leading citizens vie with each other in
purchasing (sometimes even in making) statues to adorn their own homes
and gardens, and public streets and parks. In the same way painting
is taught as a science as well as an art; to be a fair painter being
more common than to be a fair performer upon the instrument once
known as “pianoforte.” The pipe organ has become the national musical
instrument, and its glorious tones are heard from houses of far less
than palatial pretensions.
The public buildings of this country, no longer laughing-stocks
for foreigners, are at once spacious, beautiful, substantial and
convenient. In them the new American style of architecture, in which
proportions are of more value than arrangement, finds fitting types on
every hand.
In every town of any magnitude or importance, are free museums of
science and art, visits to which are as common as to the beautiful
parks laid out as breathing places in the larger cities.
Color-masters vie with each other in great kaleidoscopic exhibitions,
which out-rival in beauty of rapid combinations and successions of
color, the most brilliant pyrotechnic displays of the generations past.
The art of perfumery has been carried to a point never even dreamed of
by those of the preceding century. The law steps in and prevents any
one from using, or permitting the use of, any odor (like musk) which
is prejudicial to health or general comfort. The gamut of odor has
been discovered, and harmonies of perfumes are made just like those of
colors, or of musical tones. Concerts are given at which, the great
perfume-masters of the day produce chords and pleasing successions of
odors, which draw great crowds of the most refined, fully appreciative
of the delights there offered.
Flower-culture is a national pastime. Where there are no large
gardens, small patches are devoted to floriculture; and in the most
crowded city, window-boxes hold the latest new hybrid plants and make
the most frequented thoroughfares a garden of beauty. Dwarfing and
aggrandizing plants, by electric currents passed around their roots,
has been practiced for twenty years upon a large scale; so that in the
great conservatories, one may find tiny plants grown from the cones of
the Yosemite great trees, and may also see what have sprung from tiny
fungi but are now as large as the old-fashioned cabbages of the days
of President Harrison. The dyeing of plants and of their flowers by
substances introduced in solution at their roots, is a fine art most
successful and pleasing in its application.
Public-domain text, read in full here on John Shaqi.
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