Fighting France, from Dunkerque to BelfortWharton, Edith
History
Fighting France, from Dunkerque to Belfort
Wharton, Edith
World War, 1914-1918 -- France; World War, 1914-1918 -- Personal narratives
As the evening wore on and the crowd about our window thickened, the
loiterers outside began to join in the war-songs. "_Allons, debout!_
"--and the loyal round begins again. "La chanson du depart" is a
frequent demand; and the chorus of spectators chimes in roundly. A
sort of quiet humour was the note of the street. Down the rue
Royale, toward the Madeleine, the bands of other restaurants were
attracting other throngs, and martial refrains were strung along the
Boulevard like its garlands of arc-lights. It was a night of singing
and acclamations, not boisterous, but gallant and determined. It was
Paris _badauderie_ at its best.
Meanwhile, beyond the fringe of idlers the steady stream of
conscripts still poured along. Wives and families trudged beside
them, carrying all kinds of odd improvised bags and bundles. The
impression disengaging itself from all this superficial confusion
was that of a cheerful steadiness of spirit. The faces ceaselessly
streaming by were serious but not sad; nor was there any air of
bewilderment--the stare of driven cattle. All these lads and young
men seemed to know what they were about and why they were about it.
The youngest of them looked suddenly grown up and responsible; they
understood their stake in the job, and accepted it.
The next day the army of midsummer travel was immobilized to let the
other army move. No more wild rushes to the station, no more bribing
of concierges, vain quests for invisible cabs, haggard hours of
waiting in the queue at Cook's. No train stirred except to carry
soldiers, and the civilians who had not bribed and jammed their way
into a cranny of the thronged carriages leaving the first night
could only creep back through the hot streets to their hotel and
wait. Back they went, disappointed yet half-relieved, to the
resounding emptiness of porterless halls, waiterless restaurants,
motionless lifts: to the queer disjointed life of fashionable hotels
suddenly reduced to the intimacies and make-shift of a Latin
Quarter _pension._ Meanwhile it was strange to watch the gradual
paralysis of the city. As the motors, taxis, cabs and vans had
vanished from the streets, so the lively little steamers had left
the Seine. The canal-boats too were gone, or lay motionless: loading
and unloading had ceased. Every great architectural opening framed
an emptiness; all the endless avenues stretched away to desert
distances. In the parks and gardens no one raked the paths or
trimmed the borders. The fountains slept in their basins, the
worried sparrows fluttered unfed, and vague dogs, shaken out of
their daily habits, roamed unquietly, looking for familiar eyes.
Paris, so intensely conscious yet so strangely entranced, seemed to
have had _curare_ injected into all her veins.
Public-domain text, read in full here on John Shaqi.
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