Figures of Earth: A Comedy of Appearances — John Shaqi
Figures of Earth: A Comedy of AppearancesCabell, James Branch
Science
Figures of Earth: A Comedy of Appearances
Cabell, James Branch
Fantasy fiction; Wit and humor
"Ah, yes, it was good of you to come so soon," says Miramon Lluagor,
rearing back his head, and narrowing his gentle and sombre eyes, as the
magician looked at them down the sides of what little nose he had. "Yes,
and your young friend, too, is very welcome. But you boys must be quite
worn out, after toiling up this mountain, so do you sit down and have a
cup of wine before I surrender my dear wife."
Says Manuel, sternly, "But what is the meaning of all this?"
"The meaning and the upshot, clearly," replied the magician, "is that,
since you have the charmed sword Flamberge, and since the wearer of
Flamberge is irresistible, it would be nonsense for me to oppose you."
"But, Miramon, it was you who gave me the sword!"
Miramon rubbed his droll little nose for a while, before speaking. "And
how else was I to get conquered? For, I must tell you, Manuel, it is a
law of the Léshy that a magician cannot surrender his prey unless the
magician be conquered. I must tell you, too, that when I carried off
Gisèle I acted, as I by and by discovered, rather injudiciously."
"Now, by holy Paul and Pollux! I do not understand this at all,
Miramon."
"Why, Manuel, you must know she was a very charming girl, and in
appearance just the type that I had always fancied for a wife. But
perhaps it is not wise to be guided entirely by appearances. For I find
now that she has a strong will in her white bosom, and a tireless tongue
in her glittering head, and I do not equally admire all four of these
possessions."
"Still, Miramon, if only a few months back your love was so great as to
lead you into abducting her--"
The prince of the seven madnesses said gravely:
"Love, as I think, is an instant's fusing of shadow and substance. They
that aspire to possess love utterly, fall into folly. This is forbidden:
you cannot. The lover, beholding that fusing move as a golden-hued
goddess, accessible, kindly and priceless, wooes and ill-fatedly wins
all the substance. The golden-hued shadow dims in the dawn of his
married life, dulled with content, and the shadow vanishes. So there
remains, for the puzzled husband's embracing, flesh which is fair and
dear, no doubt, yet is flesh such as his; and talking and talking and
talking; and kisses in all ways desirable. Love, of a sort, too remains,
but hardly the love that was yesterday's."
Now the unfinished design came out of the fireplace, and climbed up
Miramon's leg, still faintly whimpering. He looked at it meditatively,
then twisted off the creature's head and dropped the fragments into his
waste-basket.
Miramon sighed. He said:
"This is the cry of all husbands that now are or may be
hereafter,--'What has become of the girl that I married? and how should
I rightly deal with this woman whom somehow time has involved in my
doings? Love, of a sort, now I have for her, but not the love that was
yesterday's--'"
Public-domain text, read in full here on John Shaqi.
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