There can be no doubt that the gay friar led the life of a true
"Bohemian"--that he was fond of women and wine, and wasted his substance
in the company of his boon companions. He spent his money as rapidly as
he earned it, and was therefore in constant financial difficulties,
which involved him in no end of litigation. His most prosperous years
apparently began in 1442, when, probably through Cosimo's intervention,
Pope Eugene IV. made him rector of the parish church of S. Quirico a
Legnaja, of which post he was deprived by papal decree as a result of an
action brought against him by his assistant, Giovanni da Rovezzano.
Giovanni sued him for the amount of forty florins due to him for work
done, and Fra Filippo did not shrink from producing a forged receipt. To
this at least he confessed on the rack "when he saw his intestines
protruding from his wounds." Whether much weight can be attached to a
confession obtained by such means is another question, but there is
nothing in the career of Fra Filippo to make such disgraceful conduct
appear impossible.
An appeal to the Pope led to another investigation of the case. The
judgment of the Curia was confirmed, the Pope referring on this
occasion to Fra Filippo as a painter _qui plurima et nefanda scelera
perpetravit_. Nevertheless, some years later, our artist is still
mentioned as _rettore e commendatario di San Quirico a Legnaja_. From
which it may be assumed that the judgment deprived him merely of his
spiritual office, and left him in enjoyment of the revenue connected
with the post.
Public-domain text, read in full here on John Shaqi.
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