Produced by Marius Masi, Chris Curnow and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) THE CONNOISSEUR'S LIBRARY GENERAL EDITOR: CYRIL DAVENPORT FINE BOOKS [Illustration: Deucalion et Pyrrha repeuplant la Terre, Suivant l'Oracle de Themis.] FINE BOOKS BY ALFRED W. POLLARD [Illustration: The Connoisseur's Library] NEW YORK: G. P. PUTNAM'S SONS LONDON: METHUEN & CO. LTD. 1912 TO SIR EDWARD MAUNDE THOMPSON, G.C.B. DIRECTOR AND PRINCIPAL LIBRARIAN OF THE BRITISH MUSEUM 1888-1909 PREFACE If the mere taking of trouble ensured good work, this contribution to the _Connoisseur's Library_ should be entitled to the modest praise of being "superior to the rest" of its author's book-makings, since it has been ten years on the stocks and much of it has been written two or three times over, either because the writer's own information had increased or to take account of the successful researches of others. Yet in the end defeat in one main point has to be acknowledged. The book was begun with a confident determination to cover the whole ground, from the beginnings of printing and printed book-illustration down to our own day, and in the case of printing the survey has been carried through, however sketchily. But the corresponding survey of book-illustration ends, with rather obvious marks of compression and fatigue, about 1780, leaving the story of a hundred and thirty years of very interesting picture-work untold. Pioneering is always so exciting that recognition of the impossibility of carrying out the full plan of the book within the limits either of the present volume or of the author's working life was not made without sincere regret. The subject, however, of the abandoned chapter was not only very large, but very miscellaneous, and the survey for it would have had to include at least three other countries (France, Germany, and the United States) besides our own. To one section, moreover, that of illustrations in colour, a separate volume of this series has already been devoted. The author would, therefore, fain console himself with the hope that in one or more other volumes a competent account may be given by some other hand of the wood-engravings, etchings, steel-engravings, and lithographs, with which books have been decorated since 1780. The poorness of paper and print with which these modern illustrated books have too often been handicapped has caused collectors to take little interest in them--it even suggested the unworthy excuse for the failure to write the missing chapter that these are not really _Fine Books_, but only books with fine pictures in them, and so are outside our subject. But both students and collectors have their duties as well as their delights, and in view of the high artistic value of quite a large proportion of these modern