Illustrated books -- Bibliography; Illustration of books; Printing -- History
Despite the exceptions we have mentioned, in almost all of the
collections of the early years of the nineteenth century two different
ideals were combined: the student's ideal of the best books in the best
editions, and the antiquary's ideal of the books by which the history of
printing and its kindred arts could be most vividly illustrated. The
combination is still common, for one of a Beckett's comic histories
(though I am not prepared to assert that this is a "best book") still
figures as the first entry in many sale catalogues which contain also
incunabula assuredly not bought for their literary interest. It is more
easy to defend such a medley on the ground of sentiment than of logic.
Whoever uses books has reason to be grateful to the men who invented or
diffused the art of printing, and may be interested in learning
something about them. Yet it can hardly be denied that to collect
various kinds of books from an antiquarian, aesthetic, or any other
well-defined point of view, not directly literary, is an independent
pursuit in its own right, just as to collect old or beautiful china or
silver is an independent pursuit, whether or no the china or silver be
used for eating or drinking from. It will be said, of course, that on
this view books are no better than china (or postage stamps), and there
are indeed some strange instances of men who have fallen below their
possibilities and have collected books, and not without success, despite
a most amazing indifference to their contents. This reduces the joy they
can get from their hobby to the bare pleasure of collecting for the sake
of collecting, an ignoble delight in indulging acquisitiveness, redeemed
to some extent by the higher pleasure of overcoming difficulties and
observing the rules of the game. But the ignorant book-collector, until
he has educated himself, is like a rose-fancier who cannot distinguish
one odour from another. By the time they attract the collector books
have become, or are on the road to becoming, so precious that their
primary usefulness has to be left dormant. To use them constantly for
our daily reading would approach the fault which the Greeks called
[Greek: hubris], the arrogance which makes a man esteem himself so
highly that he thinks nothing too good for his own use. But even when
this limitation is recognized, for those who can appreciate them they
preserve all the associations of their primary use, and it is because
these associations are so delightful and so various that the bookman
claims that his form of collecting is the best of all.
Public-domain text, read in full here on John Shaqi.
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