In 1473 the heavy gothic type which Zainer used in these illustrated books was put at the disposal of the Abbot of SS. Ulrich and Afra and used to print a _Speculum Humanae Saluationis_, to which was added a summary in verse by Frater Johannes, an inmate of his monastery. This book was illustrated by 176 different cuts of Biblical subjects, of varying degrees of merit. In the same year, and again in 1474, Zainer printed an illustrated _Plenarium_, i.e. the Epistles and Gospels for the round of the Church's year. In or shortly after 1475 he printed and illustrated a narrative of great contemporary interest, the story, written by one Tuberinus, of a child named Simon, who was supposed to have been slain by the Jews out of hatred of the Christian faith and desire to taste Christian flesh. The tale appears to contain internal evidence of its untruth, and the unhappy Jews who were cruelly executed had much better claims to be regarded as martyrs than "das susses Kind" Simon. But some of the pictures are quite animated, especially one (see Plate VIII) of the hired kidnapper beguiling the child through the streets and then deftly hurrying him into the house of doom with a touch of his knee. In 1475 or 1476, and again with the date 1477, Zainer produced editions of the German Bible in large folio, illustrated with great pictorial capitals at the beginning of each book. But his greatest achievement was in an undated book of this period, the _Speculum Humanae Vitae_ of Rodericus Bishop of Zamora, in the German translation of Heinrich Steinhowel. If this Mirror of Man's Life had been written by a man with his eyes open instead of by a vapid rhetorician it should have been one of the most valuable documents for the social life of the fifteenth century, since it professes to contrast the advantages and evils of every rank and occupation of life, from the Pope and the Emperor down to craftsmen and labourers. There is but little joy to be gained from its text, but the Augsburg artist has atoned for many literary shortcomings by his vivid and charming pictures of scenes from the social life of his day, though it is not to be supposed that German judges took bribes quite so openly as he is pleased to represent. In addition to fifty-four woodcuts of this kind, there is a large genealogical tree of the House of Hapsburg, which is a triumph of decorative arrangement.